New Yorker review by Andrew Goynton
“Greenberg masterfully created an atmosphere of matter-of-factness. Even as the dancers travelled in overlapping patterns, as they looped around the lighting trees, and the space opened up and then seemed to stitch itself back together, there was a feeling of the rehearsal room: immediacy…by the time the lights faded for good, the dancers had told us so much, so quietly. And the world felt different.”