Being a student in The New School made me a frequent quest of the Met museum. The Metropolitan Museum is the largest art museum in the United States and hold up to two million works of art from different time and space. Most of the works are classical antiquities, which made the museum a spot for art/historical education. The permanent collections includes antiques from all over the world, providing a diverse lens for cultural learners to get in touch with different civilizations on the planet. The Met has 3 branches, which are: the main building located on the east side of the Central Park, the Met Cloister located in upper Manhattan, and the Met Breuer museum located not far from the main building; each branch exhibits different categories of works. I have had a chance to visit all three in the Summer when the show Celestial Bodies was really popular especially among students from our school.
Jacques Louise Davied, “The Death of Socrates”, 1787, Oil on Canvas, 51 x 77 1/4 in. (129.5 x 196.2 cm).
“Human-headed winged lion (lamassu)”, ca. 883–859 B.C., Assyrian culture, Gypsum alabaster, H. 122 1/2 x W. 24 1/2 x D. 109 in., 15999.8 lb. (311.2 x 62.2 x 276.9 cm, 7257.4 kg).
The Museum of Modern Art
Bodys Isek Kingelez: City Dreams
Bodys Isek Kingelez(1948-2015) is based in then-Zaire (now the Democratic Republic of Congo), who made visionary cityscapes using found materials imagining the future of urban life for his country and for the world. I have heard about this Exhibition from some of my professors, and it is a truly impressive retrospect show. The show consists sculpture models made by the artist and a virtual reality experience provided by the museum. The whole viewing experience was visually pleasing and optimistic. As an artist he needed to take his categories of topics and ideology; I could talk about those but I would rather just dive into the dream world of the artist and share his vision with visitors from all over the world.
Bodys Isek Kingelez, “Ville de Sète 3009”.2000.
Detail of Bodys Isek Kingelez, “Ville Fantome”. 1995.
National Museum of the American Indian
This museum is one of three branches of the National Museum of the American Indian, located in lower manhattan. I have visited the National Museum of the American Indian for several times. The general setting up of objects is very effective and attention-grabbing. However, it has been hard for me, as someone from a foreign culture, to relate to the culture behind the exhibited objects and thus to understand the culture and the artists’ intentions. The layout of the exhibition is ineffective in giving insights about the culture in general, and the visitors can be confused by the presence of numerals different objects all in one spot.
Quiche Maya dance outfit, Guatemala, 1920-1926, Cotton, basketry, mirror, metallic thread, agave leaf fibers.
Marianne Nicolson, The Harbinger of Catastrophe, 2017, Glass, wood, halogen-bulb mechanism.
Kevin McKenzie, Father, Son, Holy Ghost, 2015, cast polyurethane, acrylic, neon.
Julie Nagam, Our Future is in the land: if we listen to it, 2017, Installation with digital video projection, sound, paint.
Located in the upper east side, Cooper Hewitt museum is the only museum in the United States devoted to historical and contemporary design. The exhibition that was on upon my visit was named “Saturated”, an exhibition about the history of the use of colors in the history of design. The exhibition space was delicately organized into several divisions, such as “Navigating Color” or “Color and Form”. The divisions are based on the role that color plays in the field of design; the visitors can navigate through the gallery space with very clear understanding of the materials and make sense of the process of design, especially with the help of technology provided by the museum. The Cooper Hewitt provides
The New Museum