What is Fashion? – LP Post n#5

Fashion is the possibility to showcase anything you desire on your body in the form of clothing, accessorizes, styling… it reflects the person you are and the one who you want to be. It is heavily influenced by brands, influencers, culture, economics… But ultimately, we have the freedom to decide how we look and the effect on the people that surround us. 

Since the beginning of Introduction to Fashion Studies, one of the first things I realized was the vague vocabulary of the fashion genera. Not only that, but we have to learn how to take it seriously and insightfully. We live in a time where there aren’t many boundaries, or at least everyone is willing to test and push them, not only that, but the world is more diverse and opinionated than ever. Which it is, in my opinion, a great thing: it opens up the floor to debate and generates tons of ideas every day. It is the fuel of humanity.

Kaiser says: “the richest of meanings often emerge from ambiguous appearances” I really appreciate this reflection. From this, I understand that partially, Susan is addressing the multicultural background that many cities and communities have become to be over time. It also gives an important place to appearances which is tied to fashion. At the beginning of the semester I was very skeptical about many negative aspects that have been huge topics of discussion lately, like cultural appropriation, political correctness and such. Now, after talking with a very diverse recitation group, I have come to accept that even though I considered myself to be very liberal and cultured, there is so much my rational mind can address, and the learning path is endless, the more cultured a group becomes, the more accurate and respectful it can be. 

Kaiser, Susan. 2012. Fashion and Cultural Studies. Page 42. London: Berg. 

Fashion and Display – Post n#4

As the exhibition website cites: “People have not often considered denim important enough to keep and preserve” I have found during a personal study of the 501 Levi’s Jeans how that has been the case for many years, up until recently. Denim was designed to endure the labor of a cowboy in the far west or a mine worker in California, when their jeans wore off, they would use the fabric to tie pieces of wood or other materials together. Denim, until the rock era, was working wear and nothing else. 

Since EXHIBITIONISM: 50 years of the museum at FIT, intendeds to go through some of their most successful shows within the past 50 years, it seems very appropriate to include textiles that through culture and social change have been lifted from one status to a higher one (workwear to fashion) Within the last year or two, denim has had a heavy impact on street style, and therefore the latest “hype” brands such as: Vetements, Off-White, Supreme… It remarks the constant change and waves of influence items in fashion undergo. 

“The explosion of museum exhibitions is only a mirror image of what has happened to fashion itself this millennium. With the force of technology, instant images and global participation, fashion has developed from being a passion for a few to a fascination — and an entertainment — for everybody.” Says Suzy Menkes in her article: Gone Global: Fashion as Art? For so long, only a limited amount of people where given the privilege to choose what’s art and what isn’t. It can be compared to the Salon des Refusés, when the Impressionist artist showcased their work despite being rejected by the Academy. Fashion, has been perceived as a trivial and ordinary subject, but like music, sculpture, painting, photography(…) it can be a form of art, therefore the right to be displayed. 

Exhibitionism: 50 Years of The Museum at FIT. https://exhibitions.fitnyc.edu/exhibitionism/?url=2012-–-2017:-special-exhibitions-gallery/ysl-halston-1.

Menkes, Suzy. “Gone Global: Fashion as Art?” The New York Times. July 04, 2011. https://www.nytimes.com/2011/07/05/fashion/is-fashion-really-museum-art.html.

“Salon Des Refusés (1863) Exhibition of Rejected or Refused Artworks.” Salon Des Refuses, Paris, 1863: Exhibition of Rejected Art. http://www.visual-arts-cork.com/history-of-art/salon-des-refuses.htm.