“Space/Materiality, Proj2: Embodied/Inhabited”

Int. Seminar Midterm Reflection

Throughout this half of the semester I’ve been able to expand my range of thought for my research citing and really go in depth with my topic. I feel that I need to go further with access to resources such as physical archival sites. My idea of systems in this class has shown me to look within the definition of a system and to break down the systems within a system. My prior thoughts about systems have changed in a way where I now can question everything I do or witness and think of ways whether that system benefits us all or what society would be like without that system. Some of my favorite readings were some of the early readings involving the election of power and how a both a system of power affects the structure of its inhabitants such as people. Moving forward I will notice the systems that make up my society and closely analyze what allows it to function and what other ways it could be improved upon.

Bridge 1

Keith Haring

  • Haring’s simple imagery and text provided cultural commentary on issues including AIDS, drug addiction, illicit love, and apartheid. As both an artist and an activist he established that depicting serious issues could be fun or at least lively when communicated through highly cartoony images and fresh and vivid choices of colors.
  • Haring was able to connect to these ideas such continuity due to the fact that he faced these issues himself as he developed his style.

     

Felix Gonzalez-Torres

  • Gonzalez-Torres’s extraordinary contribution to contemporary art was to bring personal history and politics to the familiar forms of Minimalism and Conceptualism. Cube-like stacks of paper, strings of light, textual fragments, and the simple shapes of clocks, cellophane candies, and clouds were imbued with references to current events, including gay rights, gun violence, and the AIDS crisis.
  • He explored this through personal experiences coming from a foreign and facing new ideals.

 

Andres Serrano

  • Serrano challenges the powers of religion by discrediting the faces of both Christianity and Catholicism with human waste.
  • The artist studied both forms of religion to correctly know to how manipulate the beliefs that figure upholds.

 

Guerrillla Girls

  • Began a poster campaign to raise awareness of the lack of women artists represented in major contemporary art establishments.
  • They based these observations by closing recording the amount of nude female figures in the Metropolitan Museum rather than actual female artists.

Banksy

  • Banksy’s works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world. Their art questions the society in which we all live in and whether we realize the corrupt values it possesses.
  • Banksy is able to base their art on these morals through simple observations over timer along with social media and media broadcast in general.

We’re all not born knowing everything and what we are passionate about. Even from high school into college it’s hard to adjust to a learning environment again after a long period of time without inspiration or motivation. This first semester really taught me how integral writing is to the visual world and the voice that I can express in my own writing. This voice grows and becomes more self-aware as the weeks pass and begins to develop a sense of maturity.

“Vul·ner·a·bil·i·ty

noun

the quality or state of being exposed to the possibility of being attacked or harmed, either physically or emotionally.

 

Will

Noun

noun: will; plural noun: wills

the faculty by which a person decides on and initiates action.

 

It stands there proudly, looks up to the skies never looking down at it’s viewers while they look up at “it”. Aging with the times, not allowing erosion to destroy its structure, but instead proving further its purpose. Difficult to look past just o find a stranger or a bush behind the grid, each line leading up to the top and finding there’s something inside, a core, a mind, solid and contrasted in color and form to the rest of the structure. Still allowing the grid to lead the viewer’s eye to a broken face, a dissolved hand reaching for the free souls. It would never be lonely its twin stays in the same position, they form a welcoming site for spectators. They don’t question their purpose but what they represent to others, to those that seek assistance, to those that need a symbol, to those who are afraid of the past and must learn to move on while still remembering. It senses a woman coming closer to it, studying, watching, dissecting its purpose. She theorizes her own meaning “an astral form of what is contained in all of us, in our minds, in our hearts, it is that strength that we all hold and can never be broken”. This seems to be an accurate way to describe the mysterious, artificial beings that look down at us as visible spirits. They both must be whatever people need them to be for their sake whether it suits them or not. Their height is not meant to oppress us but as another form of us that can reach our loved ones and say our final good-byes. We try not to forget those lives, but with memory comes the negativity.

Trau·ma

noun

a deeply distressing or disturbing experience.”

Wall Text

Embodiment of Us, Albert Parson, Materials: foam, silver wire, clear resin

Though this city has gone through many tragedies in history, the one thing that seems to remain intact is our human spirit, our inner strength, our will to look to the future without allowing the past effect our own lives. This memorial is to commemorate those whose lives were lost due to those who seek to harm the innocent. At the same time this memorial is made to those who have the strength to move on not allow these tragedies chain them to the past, a way of showing we as people are vulnerable from the exterior but inside we hold on to that will and the element of what makes us strong individuals.

The memorial is shown grasping to the sky, reaching to the clouds but as it reaches further it begins to break away leading down to its gridded exterior made of steel, allowing the viewer to see through the subject as a way of showing the vulnerable frames that seem to be impenetrable, but represents a false barrier that we all share. In the center and the temple of the subject will be a solid, metallic sphere, an almost dark red wine surface, representing the strength that can never be diminished and is shown proudly to others, both spheres being metaphors for the heart and mind.

One of the focal points of my memorial is the human mind where a partial part of our strength comes from and helps us make decisions for the future, the metropolitan museum consists of the documentations of human history along with the demonstration of us as people moving forward. These aspects assist in the representation of my memorial, which will be displayed in the David H. Koch Plaza fountain on the left-hand side of the museum. It has the illusion of emergence out of the dark grim surface of the fountain. I expect visitors to gain the feeling of hope and enlightenment, longing for a better the future that can start today, seeing the beauty mankind can be responsible for, while at the same time portraying hope and strength as an unbreakable force.

My first initial focus was to focus on the racial inequality in our nation, but I later thought about how to represent it in a way that doesn’t directly demonstrate that information without making it blunt to the viewer and forcing it to be extremely conceptual will just confuse the audience. Later I began playing with the idea of portraying the human spirit and the characteristics that make us who we are, then came the recent events of the terrorist attack near the World Trade that took place on Halloween of this year. This sparked the ideas of my process to carve innocents out from the average person.

I’m most proud of the outcome of the sculpture and the full-on background behind the piece. If I were to create another iteration of this memorial it would solely focus on our decision making and what we consider to be right and wrong.

 

 

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