“The most important thing for my field work is the possibility of describing the experience of landscape,” he reports. “I want to know how to fix the experience of landscape. It’s a different method to using photography to fix it. We can see the outline of objects clearly in photographs. But when recording, things are not so clear and it is difficult to distinguish what vibrations travel in the place. It’s like a moving sculpture. I find many possibilities to connect with perception and recognition. So I cannot focus only on the aspect of sound or music in my field recordings. Even if it is not popular as an artwork, I am always pursuing fixing the scenery in my recording work.” More here: http://www.thewire.co.uk/articles/5603/