Christof Migone

A joint is the locale where bones articulate a tension. Crackers are compulsive about the release of that tension. A crack is incontinent. A cracker too. As the sound of the cracks echo, some wince, others feel relief. A crack is a body nonsequitur, a crack is a bone edit, a crack is a broken break.

The material for Crackers was recorded during a residency at Gallery 101 in Ottawa, Canada, in October 1997. Crackers were solicited through the radio, classified ads in the weekly paper, and via the Gallery’s membership. The recording sessions consisted of an interview succeeded by a cracking session. Crackers: Justine Akman, Tony Daye, Marguerite Dehler, Sarah Dobbin, Vera Greenwood, Germaine Koh, Louise Levergneux, Christof Migone, Michael Sutton.

 

Do you crack your fingers? your neck? your back? your knees? your elbows? your ankles? your hips? your jaws? your toes? your…?

… ahhhh… ok and now in order to do my elbows I will have to make a quick motion like this, so I’ll make sure I don’t bust into the mic but I usually have to be standing to do it… so you keep it in one place… that’s as close I can go there… now the jaw which is usually on this side… it’s not one that a lot of people like to hear…. now… neck, if you can put the mic back in here, tell me when you’re ready… ok… I was hoping for a better one than that… not much no… toes, of course… alright so you’re going to have to be right on the floor for this… no, just a second, I can do it here… ok, the other one, mine as well exhaust all of the areas and then get to my back… ok…. now when I do my back I have to swing it as well… so stay in one place… the best sounds usually come out of about right there…

(transcript from recordings done during the Gallery 101 residency)

 

ARTIST STATEMENT
My work and research delves into language & voice, bodies & performance, intimacy & complicity, sound & silence, rhythmics & kinetics, translation & referentiality, stillness & imperceptibility, structure & improvisation, play & pathos, pedagogy & unlearning, failure & endurance. Current research: Microphone hitting, book flipping, tongue extruding, record releasing, word hyphenating, para-pedagogical positioning, careless curating, noise making, sequitur following, paper passing, interval counting, rhythm repeating, phone licking, machine fingering, playlist compiling, silence listening.

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