Posts Tagged "sound and site"

Annea Lockwood – Sound Map of the Hudson River

Annea Lockwood – Sound Map of the Hudson River

An aural journey from the source of the river, in the high peak area of the Adirondacks, downstream to the Lower Bay and the Atlantic Ocean; Lockwood traces the course of the Hudson through on-site recordings of its flow at 15 separate locations. Annea Lockwood has recorded rivers in many countries to explore the special state of mind and body which the sounds of moving water create when one listens intently to the complex mesh of rhythms and pitches. The listener will find that each stretch of the Hudson has its own sonic texture, formed by the terrain, varying according to the weather, the season and downstream, the human environment whose sounds are intimately woven into the river’s sounds. 71 minutes 33 seconds

Anke Eckardt’s GROUND

Anke Eckardt’s GROUND

The ground is in motion. GROUND acts as a LOOKING GLASS, as an AMPLIFIER for what we normally can´t perceive – tectonic plates are continously shifting … the permutations of landscapes constitute an infinite process of becoming… geosphere is a complex system that interferes with biosphere but also with anthroposphere, that part of the environment, that is made and modified by humans.

GROUND is moved by immense mechanical forces. The motion can be felt, heard and seen. Rough sounds are mechanically produced through friction between the concrete elements … visitors might experience the loss of their visual reference points, it becomes unclear what is still and what isn´t… there is an afterglow of a moving ground in the visitors physical memory after leaving the installation.

Audible Spaces: Exhibition explores physicality of sound

Audible Spaces: Exhibition explores physicality of sound

Audible Spaces presents three sound installations that encourage participants to explore the subtleties of listening. Tristan Perich, Zarouhie Abdalian, and [The User] have each created immersive environments using seemingly uniform sounds that dissolve into tonal, tactile, and temporal variations as participants engage with them.

Marco Fusinato – Constellations

Marco Fusinato – Constellations

A 40-metre wall with a 1.5-metre gap at each end is built to bisect the gallery. Hidden
inside the wall are a series of microphones connected to a PA system. The entrance side of the gallery is empty. On the other side of the gallery, coming out from the bisecting wall a baseball bat is attached to a steel chain. The audience is invited to strike the wall. Their action is amplified at 120db.

Maryanne Amacher: Sound, Body, Space

Maryanne Amacher: Sound, Body, Space

Maryanne Amacher was an experimental sound artist who composed music and created site-specific sound installations. Early in her career she played music on multiple tape machines and mixed them live. She was interested in the experience and perception of sounds in particular spaces.

Doug Aitken – Sonic Pavillion

Doug Aitken – Sonic Pavillion

The idea behind Sonic Pavilion (2009) was this: boring of a 200-meter-deep well in the ground in order to install a set of microphones to capture the sound of the earth. By way of a sophisticated system of equalization and amplification, this sound is played in real time inside the empty circular pavilion, which was designed to create equivalence between the audio experience and one’s relation to the surrounding space.

Janet Cardiff – Her Long Black Hair

Janet Cardiff – Her Long Black Hair

Her Long Black Hair is a 35-minute journey that begins at Central Park South and transforms an everyday stroll in the park into an absorbing psychological and physical experience. Cardiff takes each listener on a winding journey through Central Park’s 19th-century pathways, retracing the footsteps of an enigmatic dark-haired woman.

Dear Architects: Sound Matters

Dear Architects: Sound Matters

Here is an article by Michael Kimmelman about our relationship to sound in the spaces we inhabit.http://www.nytimes.com/interactive/2015/12/29/arts/design/sound-architecture.htmlhttp://www.nytimes.com/interactive/2015/12/29/arts/design/sound-architecture.html

Virtual haircut

Ok besides the incredibly campy delivery in this demonstration, it is a great example of the power of stereo imaging…
Sound and Cities

Sound and Cities

The sounds of our lives suck! How to make cities better by ending the blight of noiseBad sound is "as…
Digital Empathy

Digital Empathy

Digital Empathy greets High Line visitors with a variety of messages. At some sites, computer-generated voices speak messages of concern,…
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