So i’m starting to get more of a hang on this whole ‘talking notes’ thing, which was the same story for our week two assignment combined with a three pages essay/short narrative detailing a selection of memories from our simultaneous studio project.
- On Dumpster Diving – Lars Eighner
In Eighners recount, ‘On Dumpster Diving’ there is a deep sense of satire while maintaining overwhelming utilization of an aphorism tone, indicating the mundane realities of living homeless. Through Eighners systematic detailing of the processes of ‘scavenging’, it becomes evident the extent to which looking through trash consumes his everyday life, in particularly when materialistic objects lose value in the face of survival. There are occasions where the term ‘Dumpster’ has been personified, ultimately highlighting its important and ambiguous nature. In his expression, “A dumpster is somehow less persona” Eighners couples the various charactertics of a dumpster and contrasts them against those of personal garbage which demonstrates his sincere connection and dedication to life as a scavenger on a far more personal level. Furthermore, Eighners insights raise questions about what our modern society perceives as waste and the issues of a mass consumerism, highly materialistic way of living.
Quotes
“Every grain of rice seems to be a maggot. Everything seems to stink. He can wipe the egg yolk off the found can, but he cannot erase the stigma of eating garbage out of his mind.” (pg 4 Para 8)
“Every bit of glass may be a diamond, they think, and all that glistens, gold.” (pg 4)
“A Dumpster is somehow less personal” – personification (pg 5)
“I think of scavenging as a modern form of self-reliance.” (pg 7)
“Some material things are white elephants that eat up the possessor’s substance.
Transience of material being.” (pg 8)
> While reading this article, i noticed a distinct connection between Eighner and his dog Lizebeth and a homeless street artist i came across in Shoreditch, East London.
John Dolan is one of East London’s most notorious artists. For three years Dolan sat every day with his dog George on Shoreditch High Street and documented the surrounding architecture, elevating the old, decrepit buildings that are so often ignored and under-appreciated. In the past, Dolan was in and out of prison and has experienced homelessness for the past 20 years.
Dolan would draw portraits of George as he sat beside him, and began to sell these drawings to the people he saw walk up and down Shoreditch High Street every day. Dolan and George’s fame grew throughout the area and culminated in Dolan’s break out debut exhibition in September 2013 which focused on the artist’s expansive cityscapes and featured unique collaborations with international street artists.
Below is my own photo of John and George, taken around November and a selection of his many art works.
- Thirty Days as a Caribbean – Pinching pesos and dropping pounds in Havana
By Patrick Symmes
In the same way Eighner highlights the vast disparities of living with no means of‘wants’ just ‘needs’, Symmes representation of himself; an American journalist living ’30 days as a Cuban’ depicts those exact discrepancies, exacerbated by a culture in which exists entirely off self-sustainability and recyclable resources. In many ways, the article alludes to issues faced in a modern day society where consumers are consistently agitated by materialistic-hunger within culture of homogenous greed, heavily juxtaposed against that of a local Cuban who’s main goal in life is daily survival.
“Everything is fine now,” I told him, delirious with low blood sugar. “Even the prostitutes are giving me money.”
“They were worried about ice cream. In my experience, no one who is hungry craves ice cream.”
“Just as Cubans exploit loopholes to survive, I worked my obvious foreign- ness to my benefit, wandering that day in and out of fancy hotels few Cubans could enter.”