Financial Times review by Apollinaire Scherr
“Neil Greenberg yokes braininess to pathos— and never more so than in This, his most extreme experiment to date… At a time when dance uptown is prone to be as slick as an eel and choreographers downtown seem more interested in generating movements (and manifestos) than moves, it is a balm to encounter a dance so lovingly specific yet rough with the spirit of creation.”
