1. Gateways:
   Design & Illustration | Adjectives and adverbs, synonyms and antonyms, and pronunciation

Day, Jesse. Line Color Form: The Language of Art and Design. Skyhorse Publishing Inc., 2013.

Belk, Russell W. “Possessions and the extended self.” Journal of consumer research 15, no. 2 (1988): 139-168.

Color Psychology Today: How Colors Influence our Mind, 2014. Psychology Today [http://bit.ly/2sqYFFW]. Retrieved February, 2017

Gilbert, Judy B. Teaching pronunciation: Using the prosody pyramid. Cambridge University Press, 2008.

Wynkoop, Katie. “Self Portrait Through Objects.” mOthertongue 14, no. 1 (2012)

Estioko, Mario, John P. Forrest Jr, and Gwen Amos. “Ten ideas for more effective critiquing.” In Hawaii International Conference on Arts and Humanities, Waikiki, HI. 2001.

 

2. Who am I?
   Technical Drawing and Materials | Simple present, prepositions of place, and descriptive vocabulary

Day, Jesse. Line Color Form: The Language of Art and Design. Skyhorse Publishing Inc., 2013.

Goetsch, David L., William Chalk, and John A. Nelson. Technical drawing. Cengage Learning, 2000.

3. Visual Soundscapes:
   Stop Animation and Sound Editing | Design and sound high-frequency vocabulary

Introducing Lines: Understanding Formal Analysis by The J. Paul Getty Museum

Hiss, Tony. The experience of place. Vintage, 1990.

Sacks, Oliver. Musicophilia: Tales of music and the brain. Vintage Canada, 2010.

Sacks, Oliver. “The mind’s eye.” New Yorker 28 (2003): 48-59.

Schafer, Raymond Murray. The new soundscape. BMI Canada Limited, 1969

4. Possible-Selves:
   Sound Editing | Sound vocabulary, creative writing, future tense and subjunctive verbs (imagined actions)

Deutsch, Diana. “Illusions for stereo headphones.” Audio Magazine 71, no. 3 (1987): 36-48.

Eargle, John. The Microphone Book: From mono to stereo to surround-a guide to microphone design and application. CRC Press, 2012.

Loomis, Jay. “Crafting Soundscapes with Mobile Technology: There are Apps for That.”

Markus, Hazel, and Paula Nurius. “Possible selves.” American psychologist 41, no. 9 (1986): 954.

Mattern, Shannon. “Resonant texts: Sounds of the American public library.” The Senses and Society 2, no. 3 (2007): 277-302.

Savage, Steve. The art of digital audio recording: A practical guide for home and studio. Oxford University Press, 2011.

Samuels, David W., Louise Meintjes, Ana Maria Ochoa, and Thomas Porcello. “Soundscapes: toward a sounded anthropology.” Annual Review of Anthropology 39 (2010): 329-345.

Stahl, Heiner. “Mediascape and soundscape. Two landscapes of modernity in cold war Berlin.” Berlin: Divided City, 1945-1989 (2010): 56-65.

 

5. Aural Sound:
   Performance | Creative writing, sentence construction, semantic/pragmatic meaning, and high-frequency vocabulary

Hirsch, Edward. A poet’s glossary. Houghton Mifflin Harcourt, 2014.

“HOW YOU SOUND??”: The Poet’s Voice, Aura, and the Challenge of Listening to Poetry | Sounding Out!, January 27, 2014. Sounding Out,
at Soundstudiesblog.com. retrieved February 2017.

Kochhar-Lindgren, Kanta, Davis Schneiderman, and Tom Denlinger, eds. The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game. U of Nebraska Press, 2009.

“Stage Presence: What it Means, Why it Matters, and How to Improve it,” KD Conservatory, College of Film and Dramatic Arts, retrieved March 2017

Widdowson, Henry G. “Context, community, and authentic language.” TESOL quarterly 32, no. 4 (1998): 705-716.

 

2 | COLLEGE

 

2.1 Beginner

6. Sensory Observations:

Blind Contour | Sensory vocabulary, descriptive texts, and Art & Design vocabulary

Day, Jesse. Line Color Form: The Language of Art and Design. Skyhorse Publishing Inc., 2013.

Edwards, Betty. The new drawing on the right side of the brain: The 1999. Penguin, 1999.

Leborg, Christian. Visual grammar. Princeton Architectural Press, 2006.

Sensory vocabulary, From the Garden Grove Unified School District Instructional Services Center (permissions needed for reprint)

 

7. My Journey:
   Personal Narrative Collage | Sentence construction and tenses

Cullen, Kristin. Layout workbook: a real-world guide to building pages in graphic design. Rockport Pub, 2005.

Day, Jesse. Line Color Form: The Language of Art and Design. Skyhorse Publishing Inc., 2013.

Edwards, Betty. The new drawing on the right side of the brain: The 1999. Penguin, 1999.

 

8. Emotional Landscapes:
   Digital Self-portrait | Art and Design vocabulary, argumentative papers, passive and active voice

Giddens, Anthony. Modernity and self-identity: Self and society in the late modern age. Stanford University Press, 1991.

Susan, Bright. “Auto Focus: The Self-Portrait in Contemporary Photography.” (2010).

National Gallery Scotland, Facing the World: Self-portraits from Rembrandt to Ai Weiwei Catalogue

“Pop Culture: An Overview”. Philosophy Now, Issue 64

 

9. Sudden Turn of Events:
   Narrative | Art and Design vocabulary and literary devices

Deleuze, Gilles. “Cinema 1: The movement-image, trans.” Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) 109, no. 2 (1986).

Houstonisd.org (HISD), AP Literary Terms [http://bit.ly/2s7A6xE]

 

 2.2 Intermediate

10. Down Memory Lane:
    Film Montage | Collocations in film vocabulary and reading comprehension

Anwandter, Patricia Marcella. “Frames of mind: Photography, memory and identity.” (2006).

Deleuze, Gilles, and Melissa McMuhan. “The Brain Is the Screen: Interview with Gilles Deleuze on” The Time-Image”.” Discourse 20, no. 3 (1998): 47-55.

Eisenstein, Sergei. “Collision of Ideas.” En Film: A Montage of Theories. Ed. Richard Dyer McCann. New York: EP Dutton & Co (1966): 34-37.

Forkner, Samuel R. “Montage Theory in Film Studies.” Journal of Art Media and Technology-JAMT 1, no. 1 (2016): 20-25.

Münsterberg, Hugo, and Richard Griffith. The film: A psychological study. Courier Corporation, 2004.

Murch, Walter. In the blink of an eye: A perspective on film editing. Silman-James Press, 2001.

Reisz, Karel, and Gavin Millar. “The technique of film editing.” (1971).

Sacks, Oliver. “Aberrations of Time and Movement.” The New Yorker 23 (2004).   Weibel, Peter. “Expanded cinema, video and virtual environments.” Future Cinema: The Cinematic Imaginary after Film. Cambridge: MIT Press. Sandra Álvaro (2003).

 

11. Personae:

History Through Objects | Art and Design vocabulary in framing, gerunds, and gerund phrases

Day, Jesse. Line Color Form: The Language of Art and Design. Skyhorse Publishing Inc., 2013.

Deleuze, Gilles. “Cinema 1: The movement-image, trans.” Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986) 109, no. 2 (1986).

Julier, Guy. “From visual culture to design culture.” Design issues 22, no. 1 (2006): 64-76.

Lipsitz, George. Time passages: Collective memory and American popular culture. U of Minnesota Press, 1990. Chapter 1, Popular Culture: This Ain’t No Sideshow, pages 3-20)

Lupton, Ellen. Thinking with type: A critical guide for designers, writers, editors, & students. Chronicle Books, 2014.

O’toole, Paddy, and Prisca Were. “Observing places: using space and material culture in qualitative research.” Qualitative Research 8, no. 5 (2008): 616-634.

Sacks, Oliver. “Aberrations of Time and Movement.” The New Yorker 23 (2004).

Sieber, Ellen, and Sarah Hatcher. “Teaching with Objects and Photographs: Supporting and Enhancing Your Curriculum.” Mathers Museum of world cultures (2012): 31-43.

Smith, Keith A. “Structure of the Visual Book” (Book 95: The Revised and Expanded Edition). (1992).

 

12. Embodying Otherness:
    Awareness Campaign | Social Justice vocabulary, pragmatic meaning, and idiomatic expressions

 Bardzell, Jeffrey, and Shaowen Bardzell. “What is critical about critical design?.” In Proceedings of the SIGCHI conference on human factors in computing systems, pp. 3297-3306. ACM, 2013.

 DiSalvo, Carl. Adversarial design. The MIT Press, 2012.

Dunne and Raby, http://www.dunneandraby.co.uk/, retrieved January 2017

Pauwels, Anne. Non-Discriminatory Language. Australian Government Publishing Service, GPO Box 84, Canberra ACT 2601 Australia, 1991.

Sleeter, Christine E. “Deepening social justice teaching.” Journal of Language and Literacy Education (2015).

Whitlock, Katherine, and Rachael Kamel. In a time of broken bones: A call to dialogue on hate violence and the limitations of hate crimes legislation. American Friends Service Committee, 2001.

13. Spaces of Culture:
    Visual Culture | Leading and non-leading language, ethnographic research and visual culture analysis

Armstrong, Helen. Graphic design theory: readings from the field. Chronicle Books, 2009.

Buchanan, Richard, and Victor Margolin. Discovering design: explorations in design studies. University of Chicago Press, 1995.

Chen, Lin-Lin, Tom Djajadiningrat, Loe Feijs, Simon Fraser, Steven Kyffin, and Dagmar Steffen. “Design and semantics of form and movement.” (2009).

 Gordon, Alastair. Spaced out: radical environments of the psychedelic sixties. Rizzoli, 2008.

Irvine, Martin. “The work on the street: Street art and visual culture.” The handbook of visual culture (2012): 235-278.

Kvale, Steinar. Doing interviews. Sage, 2008.

 Schwartzman, Madeline. See yourself sensing: redefining human perception. Black Dog Pub., 2011.

 Stadler, Matthew, and Carl SKOGGARD. Every room tells a story: tales from the pages of Nest magazine. Edited by Joseph HOLTZMAN. DAP/Distributed Art Publishers, New York, 2001.

 

 2.3 Advanced

14. Trust Me:
    Argument, Persuasion, Propaganda | Semiotics, and semantic and pragmatic meaning

14. Roxanne:
    Typography | Pronunciation for intelligibility

Bringhurst, Robert. The elements of typographic style. Vancouver, British Columbia: Hartley & Marks, 2004.

Gilbert, Judy B. Teaching pronunciation: Using the prosody pyramid. Cambridge University Press, 2008.   Lupton, Ellen. Thinking with type: A critical guide for designers, writers, editors, & students. Chronicle Books, 2014.

Seven Essential Concepts with Judy B. Gilbert | The New School, 2011

Spiekermann, Erik. Stop Stealing Sheep & find out how type works. Pearson Education, 2013.

 

3 | GRADUATE

16. Artifacts:
    Capstone Proposal | Research methods, critical analysis, literature review and reverse outline

 

Berman, David B. Do good: How designers can change the world. Peachpit Press, 2009.

 Brey, Philip. “Artifacts as social agents.” (2005): 61-84.

Cross, Nigel. Designerly ways of knowing. Springer Science & Business Media, 2007.

Cross, Nigel. “Designerly ways of knowing.” Design studies 3, no. 4 (1982): 221-227.

Cross, Nigel. “The nature and nurture of design ability.” Design Studies 11, no. 3 (1990): 127-140.

Denning, Peter J., and Nicholas Dew. “The myth of the elevator pitch.” Communications of the ACM 55, no. 6 (2012): 38-40.

Fallan, Kjetil. “De-scribing design: Appropriating script analysis to design history.” Design Issues 24, no. 4 (2008): 61-75.

Forty, Adrian, and Ian Cameron. Objects of desire: design and society since 1750. London: Thames and Hudson, 1995.

Kapitan, Tomis. “Peirce and the autonomy of abductive reasoning.” Erkenntnis 37, no. 1 (1992): 1-26.

Kaptelinin, Victor. “Affordances and design.” (2014).

Papanek, Victor, and R. Buckminster Fuller. Design for the real world. London: Thames and Hudson, 1972.

Reichertz, Jo. Abduction: The logic of discovery of grounded theory. London: Sage, 2007.

Reichertz, Jo. “Induction, Deduction.” The Sage handbook of qualitative data analysis (2013): 123.

Rose, Gillian. “Practising photography: an archive, a study, some photographs and a researcher.” Journal of historical geography 26, no. 4 (2000): 555-571.

Stewart, Susan. “Objects of desire.” Interpreting objects and collections (1994): 254-7.

Turkle, Sherry. Evocative objects: Things we think with. MIT press, 2011.