Creative Technical Studio: The Dress

For our final project, our teacher challenged us to be more conceptual, and to stop thinking so much about the form of the body. For this, I was inspired by clouds. I thought about how when people are looking up at them, they see different shapes. One may look like a cat or a baby, or a cake. Really, the clouds are just big blobs, not looking like anything, but people see what they want in them. I wanted to make a dress that people could see in it what they wanted to, and transform it to wear how they wanted to. I did this by incorporation drawstrings, two in the front and one in the back, so that the dress can be worn in at least ten different ways.

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Creative Technical Studio: The Shirt

We started our shirt project by deconstructing a men’s button down shirt. From this, I took my initial inspiration, which was a cape-like back made up of two layers.

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From there, I thought more about shirts, and started researching the traditional Hawaiian shirt. Through this research, I learned about the amazing things Hawaiians have made through traditional feather working, such as leis and this cape, which belonged to a king:

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In the end, this was my finished product:

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LBD + Immaculate Conception

For our final project in Design Studio, “Fashion Anthropology and Directive Spontaneity,” we were randomly assigned a historical garment to research. I was assigned the little black dress, which surprisingly for me, was not so straight forward. Through my studies, I realized than any dress that is black can be considered an LBD. So when we had to make a mock-up of some sort of our garment’s most characteristic part, I was a little stumped. In the end, I decided to recreate the front bodice of Audrey Hepburn’s classic Givenchy dress in Breakfast at Tiffany’s, because to me, that is the little black dress.

 

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To go along with our historical garment, we were also assigned a random action word. With this word, combined with our garment, were were supposed to design a collection. My word was birth. Yes, birth. So after some thought, I started focusing on Immaculate Conception and the birth of the Virgin Mary, which seemed like a fitting contradiction to the mischievous LBD.

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For my fabric manipulations, I used motifs from the depictions of Immaculate Conception. The Virgin Mary often has a halo of stars or is standing above thorns, so I laser cut both from fabric. I also used bleach to take the color out of black fabric.

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To me, it was like bad vs. good. Born free from original sin vs. the sin that the color black represents. This idea remained strong as I designed my collection, and I incorporated the idea of that struggle as well as my fabric manipulations into each of the looks.

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Visual Communications 1: Final

Our final was very free, just six looks with corresponding front and back flats, plus fabric swatches. Instead of focusing on my designs, I put all of my efforts into the drawing and rendering. For the looks, I just created ones that have a close resemblance to clothing I had when I was young that I would now love to have in my closet.

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