Juanli Carrion – Studio Visit: IS2

Keisho-Seki

Opus 2012: 

If the opera was sung in English or Spanish would the audio element of the performance piece still have the same level of quality? 

Outer Seed Shadow: 

As this is a public art, how do you expect the audience who is unaware of its intention to perceive it? 

Onstage: 

How do you successfully capture and recreate an environment within an installation piece? 

Building the Never-ending Ruin of the World: 

How has the idea of memory changed due to the “virtual era” 

Un-dramatics: 

How does the backdrop create an alternate reality? 

10.21-23:

What does this imaginary city say about our current society at large? 

Kei-Seki:

How does this work challenge the way we think about nature and natural monuments? 

Brightext: 

How does the language used in these public interventions effect the overall quality of the work? How is this distinguishable from regular text seen on the streets throughout cities? 

Atlas Shrugged: 

How does the medium chosen successfully support the context of a dystopian world? 

Tapapa: 

Since food is something that brings people together why is not used more often in the context of art and protest? 

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