Bridge 4 Proposal – Noël, Manci, and Flo

Group proposal by Noël Madland, Manci Zhu, and Florence Gao

  • – a description of the topic
    • Animal cruelty, specifically against dolphins, starting with The Cove documentary on Taiji, Japan
  • – your objectives – long view ideas for change
    • End the dolphin murders
    • End animal cruelty in general by finding better ways to feed humans without destroying ecosystems
  • – your goals – short term, small steps to initiate social change
    • Explain dolphins’ intelligence, how they experience trauma
    • Show how the killing is a bad influence on children in the area
    • Explain dolphins’ importance to the ecosystem
    • Call on people in Japan to stop buying dolphin meat
    • Encourage supermarkets in Japan to reject dolphin meat from companies and fishermen.
  • – who is the audience?
    • In short term, the new generation worldwide that has access to internet and social media, to recognize the problem and put pressure on the dolphin trade industry in Japan.
    • Ultimately, the Japanese lawmakers in charge of environmental protection and the Japanese meat market
    • The new generation of Japanese citizens who can stop buying dolphin

meat and push for better environmental protection laws

  • – 5 ideas to achieve your goals
    • Traditional reaction video
    • Zine
    • Posters
    • Performance piece (synchronized swimmers in a red pool)
    • Immersive experience from the perception of the intellectual animal dolphin (surrounded by 1. sound of waves, dolphin’s tapping in the water, fisherman’s sound……2. Smell of blood and the sea)
    • Put paintings in public place and capture how people react with camera.

 

  • – 5 sketches / visualization
  1. Sketches for poster:

 

 

 

 

 

 

 

 

  1. Visualization for pool performance

 

 

 

 

 

 

 

  1. Visualization for immersive experience

 

 

 

 

 

 

 

 

Overfishing of the oceans is a tremendous problem on a global level, and the Japanese fishermen, supported by their government, are wrongly blaming the dolphins for this depletion. The Japanese government is making the same false argument in front of the International Whaling Commission – that whales eat fish and therefore need to be controlled by killing.”

 

 

 

 

 

 

Two synchronised swimmers have performed in a pool full of plastic to highlight the problem of pollution. Kate Shortman and Isabelle Thorpe carried out their World Championship routine doing their best to avoid drinking bottles, toiletries, carrier bags and containers. It’s the kind of plastic waste that is being dumped into the world’s oceans, causing serious issues for marine animals.

Why it speaks to us:

The synchronized swimming performance is visually powerful and straight forward, having humans instead of marine lifes struggling among plastic. Also, this is a smart combination of art and environmental protection. It indicates that marine lives are supposed to be moving freely in clean water, just as the synchronized swimming should be performed and appreciated in clean water.

 

How we relate it to our proposal:

Empathy is the key element in this activism art.

  1. If swimmers are put into a bay to perform, with all the water dyed to red, just as shown in the Documentary where the entire bay got red with dolphin blood, the vision will be shocking, and the audience will immediately realize that this is an immoral holocaust.
  2. Immersive experience from the perception of the intellectual animal dolphin. Set up a dark room. Have the audience surrounded by sounds and smell to experience and imagine the holocaust that once happened in th Dolphin Bay.

-1. sound of waves/ dolphin’s tapping in the water/ fisherman’s sound.

-2. Smell of blood/ smell of the sea

 

  1. Sketch/visualization of zine

 

 

 

 

 

 

 

 

 

 

 

 

 

5: Visualization of reaction video

Thesis/Concept Statement

Star Trek used its platform to bring about change in the real world by tackling social and political issues through science fiction storytelling. In order to convey this, I am going to make a video. I will use clips from the show, news reels from the time, and interviews with the actors and creators of Star Trek. I will compare moments in the show to political issues of the time and artistically show the connections between the two. The interviews will give insight to the goals of the show as perceived by those involved.

Project inspiration + concept

My concept is to make a soft-structure skateboard as a comfort object. The stickers will be embroidered instead. Some of the stickers will be in protest against the rule that you can’t skate in Washington Square Park anymore.

My inspiration is an exhibit I saw in Houston 2 years ago (I can’t find images now, sorry) where they wrapped found objects and wrapped them in canvas and then sold them to people with adoption papers. Most of the objects were baby-related, such as socks, smocks, strollers.

More inspo:

Interconnectivity Project Idea

My idea is to make a skateboard from fabric. I want to focus on the friendship and community created by the teenagers/young adults skating together in Washington Square Park. By stuffing it like a plushie, I’ll show how the skateboards are like a teenage comfort-toy. On the bottom of the board, where a design or stickers might be, I’ll embroider “stickers” in skater-brand fonts with different phrases about friendship and community.  

Life on Tiny Film – Noël’s Zine

polaroid hand zine final-2ilmurs

Concept:

When presented with the idea of a zine about identity, I started thinking about what visually could represent me as a whole. I came to the conclusion to use my polaroids. Since 2015 when I got my Instax camera, I have taken polaroid photos periodically of me, my friends, family, events I attend, my bedroom, etc. They have become a visual diary of my teenage life. I then went through my books of polaroids and chose the ones I felt were the most important to me. I used mostly photos with my friends and then one with my sister because they are such an important part of my life. They influence my humor, they accompany me to life-changing events. I chose a spread of years so you can see how much my appearance changes. I feel like I never look the same, and not just because I dye my hair sometimes. The cover of the zine is the actual cover of my polaroid book (plus an edited title). The book itself is characteristic of my interests/life. The In-and-Out sticker reminds me of my trips to Austin for ACL Music Festival with my family and best friend Stella. “Big Titty and the Big Titties” is a local band my college friends and I have met and go to their shows, so it’s representative of my college life and interest in music. The Glossier sticker was for the longest time my reminder that I’d someday return to New York (there’s no Glossier store in Houston). The mermaid is part of a set of stickers I put on everything from my guitar case to my phone. I decided to include my hands in the images to add an element of visual interest and to make sure a physical part of me was visible. My hands are what I use to create art and play music so they seemed the appropriate part of me to feature.

Reflection:

I enjoyed looking through the photos I take on a regular basis and seeing which ones felt the most representative of me. Originally, I chose too many, so then I had to pare it down to 8 so the format would be clean. I was glad to get feedback in class about the zine because it pushed me to do the final version that showed my hands and the cover, which I think really completed the representation of my identity.

Process:

First I went through my books to choose the polaroids I wanted to use.

The first version of the zine was the polaroids alone, folded so one showed on each page:

Then, I decided to use my hands and to use the cover of my book plus the little Hello Kitty envelope I keep fresh polaroids in until I get home. This is a scan before I edited it. The pieces of paper were to make sure the scanner kept scanning because otherwise it would stop halfway through when it thought it got the whole image.

It took a few tries to figure out the formatting of the zine. Here is one that didn’t work:

polaroid hand zine attempt 1-z5ff3n

Noël’s Artist Breakfast

My breakfast is coffee. I tend to not eat full meals until later in the day, so if I’m up early enough for “breakfast,” I typically just drink something caffeinated. New York, New York. 10:45 am.

This fancy egg dish is from my friend Mary Martha. She starts her days on weekends earlier, so sometimes she has time for a fun, fancy breakfast. Chicago, Illinois. 9 am.