La Prairie celebrates the launch of its Skin Caviar Nighttime Oil with a digital installation offering an entrancing trip into the twilight zone at Art Basel and Frieze London
For three days in New York City an immersive multi-room sensory experience designed by the studio Dave & Gabe for Sonos in partnership with Google Assistant invited visitors to delve into interactive installations of sound, music, and light to explain the properties and experience of sound.
Today, the role of sound in science extends beyond the range of audible frequencies: Ultrasonic and other silent acoustic waves have made their way into researchers’ repertoire, helping them push the boundaries of conventional medicine and research.
In examples from four Stanford labs, scientists are investigating the full spectrum, harnessing the nuances of noise and the power of acoustics to generate inventive, if not unexpected, technologies that show just how potent the combination of sound and science can be.
Through Totemic Sculptures and Sound Art, Guadalupe Maravilla Explores the Therapeutic Power of Indigenous Ritual. Maravilla works across painting, sculpture, and sound-based performances all veiled with autobiography, whether informed by the Mayan architecture and stone totems that surrounded him as a child or his cancer diagnosis as a young adult. His pieces are predominately therapeutic and rooted in Indigenous ritual and mythology,
A locative audio work that explores the idea of surveillance within the context of the museum.
What do states keep secret? What secrets do other states attempt to uncover with their intelligence services? How is this information passed on, compiled, evaluated? When can state secrets become valuable currency? The value of every piece of information changes at the very moment it is shared with someone else: when does it become worthless?
A radio work and immersive sound installation that explores the emergence in 1963 of the earths newest land mass – a small island off the coast of iceland.
In 1963, off the coast of Iceland, an island has emerged after an underwater volcanic eruption, a rare event that occurs on average twice a century. It was given the name Surtsey, after Surtr, the fire giant of Norse mythology.
Elevator Pitch is inspired by Kim’s childhood memories of crowding elevators with her Deaf friends, and shouting so loudly that they could feel the vibrations of each others’ voices. Meanwhile, elevators are often known to hearing people as sites of “awkward silence,” thus the concept of this installation challenges when and where various people have a voice. Born Deaf herself, Kim approaches Elevator Pitch by investigating how Deaf communities of New Orleans experience a city so deeply defined by music, and by highlighting how Deaf people are vital to this culture of sound.
a sound performance, conceived around and in reaction to a series of night bombing videos that the artist has collected on youtube, which are edited into a video that is stripped away of all sounds. These footages originate from a variety of sources including news reports, archival footages, and video captured and uploaded by amateurs. Throughout the performance, the performer watches this silent video on a monitor, and attempts to accurately restore its soundtrack of explosions, gunshots and debris, by playing a live foley set using a series of regular household objects.
The STEEL-FONICS attempts to shed light on a hidden contribution to Pittsburgh’s industrial past. In this culture, African Americans are typecast dancing, singing or marching against a backdrop of poverty, crime or packed arenas in order to be recognized. This installation employs the power of stereotype and reimagines a creative collective of black industrial steel workers called The STEEL-FONICS. The African American contribution to the enormous expansion of the American steel industry has been all but invisible. This exhibition is a new kind of labor strike against historical omission.
Some examples of voice as textural sound