Exhibition + Installation + Performance

Sonos – The Brilliant Sound Environment

Sonos – The Brilliant Sound Environment

For three days in New York City an immersive multi-room sensory experience designed by the studio Dave & Gabe for Sonos in partnership with Google Assistant invited visitors to delve into interactive installations of sound, music, and light to explain the properties and experience of sound.

Samson Young – Nocturne

Samson Young – Nocturne

a sound performance, conceived around and in reaction to a series of night bombing videos that the artist has collected on youtube, which are edited into a video that is stripped away of all sounds. These footages originate from a variety of sources including news reports, archival footages, and video captured and uploaded by amateurs. Throughout the performance, the performer watches this silent video on a monitor, and attempts to accurately restore its soundtrack of explosions, gunshots and debris, by playing a live foley set using a series of regular household objects.

Steel-Fonics – Ricardo Iammuri Robinson

Steel-Fonics – Ricardo Iammuri Robinson

The STEEL-FONICS attempts to shed light on a hidden contribution to Pittsburgh’s industrial past. In this culture, African Americans are typecast dancing, singing or marching against a backdrop of poverty, crime or packed arenas in order to be recognized.  This installation employs the power of stereotype and reimagines a creative collective of black industrial steel workers called The STEEL-FONICS.  The African American contribution to the enormous expansion of the American steel industry has been all but invisible.  This exhibition is a new kind of labor strike against historical omission.

Quarantine / Isolation Concerts

Quarantine / Isolation Concerts

The COVID lockdown did not shut down the desire to share sound with the world. While the pandemic closed concert and exhibition venues worldwide, undoubtedly damaging many artists financial prospects, it has not kept them from sharing their work. Numerous venues have created platforms for sharing adventurous sound – some of them free, some of them requiring a donation to help the performing artists.

Raven Chacon

Raven Chacon

Originally from the Navajo Nation, Raven Chacon is a composer of chamber music, a performer of experimental noise music, and an installation artist. He performs regularly as a solo artist as well as with numerous ensembles in the Southwest and beyond. He is also a member of the Indigenous art collective Postcommodity, with who he recently premiered the two-mile-long land art/border intervention, Repellent Fence.

Kevin Beasley – A view of a landscape

Kevin Beasley – A view of a landscape

Kevin Beasley engages with the legacy of the American South through an installation that centers on a cotton gin motor from Maplesville, Alabama. In operation from 1940 to 1973, the motor powered the gins that separated cotton seeds from fiber. Here, the New York-based artist uses it to generate sound as if it were a musical instrument, creating space for visual and aural contemplation.

Sound and Plants

Sound and Plants

Believe it or not, there’s a long history of plants and sound.
Here’s an article in the great art blog Hyperallergic that talks about the exhibition Sonic Succulents: Plant Sounds and Vibrations by Adrienne Adar at the Brooklyn Botanical Garden

Ultra-Red Five – Five Protocols for Listening

Ultra-Red Five – Five Protocols for Listening

In honor of May Day, Ultra-red release the PDF of our latest workbook for militant sound inquiry, “Five Protocols for Organized Listening” (5.8MB). The workbook compiles protocols for collective listening developed by multiple teams of investigators from 2009 to 2011 in cities across North America and Europe. “Five Protocols” is also accompanied by links to related sound objects on the School of Echoes Soundcloud page. Please feel free to download and distribute. We only ask that you send us feedback on your experiments with organized listening and militant sound investigation.

Hong-Kai Wang

Hong-Kai Wang

Hong-Kai Wang is an artist who works mainly with sound. Her practice includes processes involved in the production and performance of sound as well as their political and social contexts, and, not least, the organisation of listening. In several of her pieces she has employed collective processes, discussions and workshops.

Anna Mlasowsky – Glass and Sound

Anna Mlasowsky – Glass and Sound

Anna Mlasowsky is a German-born glass artist who works across many media including video, installation, and performance. As the description below for the project “Resonance” attests, her work with sound emerges from her own challenges with hearing perception.

Feeling Music – artists exploring the physical impact of sound

Feeling Music – artists exploring the physical impact of sound

Humans come into contact with sound all the time. Our first tactile listening experience is in the womb, feeling our mother’s heartbeat. This kind of physicality continues into our everyday: We feel our own hearts beating, we hear the sound of our footsteps. By its very nature, direct contact with music through its natural vibrations introduces us to an experience we’ve been missing, one that is crucial to our proper understanding of it.

Anke Eckardt’s GROUND

Anke Eckardt’s GROUND

The ground is in motion. GROUND acts as a LOOKING GLASS, as an AMPLIFIER for what we normally can´t perceive – tectonic plates are continously shifting … the permutations of landscapes constitute an infinite process of becoming… geosphere is a complex system that interferes with biosphere but also with anthroposphere, that part of the environment, that is made and modified by humans.

GROUND is moved by immense mechanical forces. The motion can be felt, heard and seen. Rough sounds are mechanically produced through friction between the concrete elements … visitors might experience the loss of their visual reference points, it becomes unclear what is still and what isn´t… there is an afterglow of a moving ground in the visitors physical memory after leaving the installation.

Marco Fusinato – Constellations

Marco Fusinato – Constellations

A 40-metre wall with a 1.5-metre gap at each end is built to bisect the gallery. Hidden
inside the wall are a series of microphones connected to a PA system. The entrance side of the gallery is empty. On the other side of the gallery, coming out from the bisecting wall a baseball bat is attached to a steel chain. The audience is invited to strike the wall. Their action is amplified at 120db.

Bohyun Yoon – Glass, Sound, Interaction

Bohyun Yoon – Glass, Sound, Interaction

Bohyun Yoon is from Korea and currently living in Richmond Virginia. He is an assistant professor at Virginia Commonwealth University. Inspired by the idea of sound from clear glass, he choreographed avenues for this glass to become a sonic instrument. His residency at Harvestworks included the use different materials like multi channel audio, contact microphones and amplifiers. His recent projects include Glass Helmet (2004), Glass Tube (2012), and Glassorganism (2013).

Doug Aitken – Sonic Pavillion

Doug Aitken – Sonic Pavillion

The idea behind Sonic Pavilion (2009) was this: boring of a 200-meter-deep well in the ground in order to install a set of microphones to capture the sound of the earth. By way of a sophisticated system of equalization and amplification, this sound is played in real time inside the empty circular pavilion, which was designed to create equivalence between the audio experience and one’s relation to the surrounding space.

2017 The World is Sound at the Rubin Museum

2017 The World is Sound at the Rubin Museum

JUNE 16, 2017 – JANUARY 8, 2018
Featuring work by more than 20 artists, The World Is Sound juxtaposes new site-specific commissions and works by prominent contemporary sound artists with historical objects from the museum’s collection of Tibetan Buddhist art to encourage reflection on how we listen and to challenge entrenched ways of thinking.

Zimoun

Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects.

Tony Oursler: Imponderable

Tony Oursler: Imponderable

Tony Oursler’s Imponderable (2015–16) offers an alternative depiction of modernism that reveals the intersection of technological advancements and occult phenomena…
SOUND X SOUND

SOUND X SOUND

from Everyday Listening: Niels Lyhne Løkkegaard is a Danish composer who, in his series SOUND X SOUND has been working…
Digital Empathy

Digital Empathy

Digital Empathy greets High Line visitors with a variety of messages. At some sites, computer-generated voices speak messages of concern,…
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