Title: Fleamarket Stillness
Title: Tan Lines
Title: Justin
Title: Senti, Signorina!
Title: Mother
Title: Music speaks
Title: Happiness is…
Author: nefvv883 (page 3 of 7)
What was for you the most inspiring part of the tea ceremony?
The story behind the tea ceremony really warmed my heart, it really showed how respectful the Japanese people are. It was more about the moment that you have with people and putting all negativity aside to enjoy moments with others.
How did you experience Japanese culture the participation of the tea ceremony?
I believe they were really able to demonstrate the respect that people show towards one another by how much care is put into one cup of tea.
Were some parts of the ceremony familiar to your own cultural background or quite different?
This is quite different but in France people often spend time together at Cafe’s and over an espresso take this time to be away from their lives and spend a moment with another person.
Describe the atmosphere you experienced during A) the preparation of the tea and B) the sharing of the tea
The preparation of the tea was amazing to watch, She took so much time to prepare each cup, even the selection of the bowls was specifically planned. The sharing of the tea was also very heartwarming, the tea was warm and discussing the tea bowls and tea was almost a form of being able to let go of thinking about life outside of the tea room.
Which elements do you think contributed to the atmosphere in the room during the ceremony?
-The insense she had burning
-the unique and beautiful bowls
-her kimono
-her calm and relaxing voice
-the taste of the tea
Do you think the manner in which Souheki prepares and offers the tea can be considered
an art form?
Yes I do believe that it is an art form because art is all about evoking feelings in people and Souheki was able to make everyone in the room thinking about all the cautious in their lives and just be able to enjoy a moment with everyone else in the room
A French tradition, the galette de rois, which translates to The cake of Kings is a cake that is eaten during holidays. Baked inside the cake a small token that resembles a crown or king or whatever the baker chooses. The person who finds the token in their slice is meant to be given good luck.
In France, Cafes are very common. While all countries have cafes, the atmosphere here is very different. Often during warm months the French people will go to cafes and sit outside and smoke a cigarette while drinking an espresso, with friends, they will sit there and people watch for hours and hours. It is a very different etiquette there people do not use their phones while they are with other people, even alone people at cafes are reading or simply enjoying their meals.
The item I chose from the exhibition was “Tara Protecting from the Eight Great Fears”
Tara is one of the most popular female deities in Tibetan culture. She is particularly associated with protection from a group of calamities known as the Eight Fears, depicted here as scenes surrounding her: ghosts/sickness, drowning, fire, false imprisonment, bandits, wild elephants, snakes, and lions. Although each of the scenes is misgivings and concerns of daily life they each symbolize inner obstacles in the spiritual process. The style of painting used is “Khamri” which includes deep blues and greens. The painting is made from pigments that were painted onto a cloth. Its origins are from the Kham province, in Tibet. Its dimensions are 25 by 17. It has been dated to the 19th century
The Bra and underwear in this piece were created by the artist, Julia Brunson. She commissioned me to find a way to photograph her work so that it could be shown online and not get flagged, as well as images that match her aesthetic.
The concept Julia and I created was the invisible woman who wants to send nudes to her man.
Here are the final images I photographed and edited.
Project overview: Using the space of the desk create a piece no larger than 16 inches out of wood that transforms the desk into a habitat.
Concept:
The idea behind creating the bridge was transforming wood into something that is more delicate as well as allowing for the piece to be movable. The bridge plays with the idea of transparency and camouflage, Almost as if you were standing on the bridge and when you look downwards you would see the Koyfish underneath the pond painted onto the wood and if you were to be underneath the bridge then you would see the bugs that would surround the pond.
Story: The pond-1wb2ytd
Inspiration:
The Painting
Video
Picture in Habitat
Mounted onto Desk
Rolled up
This is the current progress that I have made. I have made a mock version of the dress out of canvas.
After this, I modified the patterns so that they were more to what I have envisioned in my mind. I then moved on to experiment with sewing a more difficult type of fabric. I then cut out new pattern pieces and cut them out on tulle. I am now working on the final bodice of the piece with tulle. It is a bit difficult to see in the picture because the yellow fabric blends in against the dress form. I have also pinned, folded, and pressed the tulle to create the pleats I want around the bust of the dress.
I have gotten all the tulle, satin and boning that I will need. My next step will be to finish sewing the new pattern pieces of tulle to complete the front portion of the bodice and find a way to place the boning on the garment so it doesn’t rip the fabric and aesthetically looks nice on the dress. I have also received the pattern I plan to use for the bottom portion of the dress, For this, I will need to modify the pattern pieces to fit the style of dress I want. Another obstacle that I need to find a solution for is how to create the back of the torso so that it is sturdy enough to contract to the body because my original design will not be possible as the fabric is too delicate and will rip.
this is also difficult to see but this is how I plan to layer a portion of the fabric. (Again I apologize that it is difficult to see because the mesh fabrics blend into the color of the dress form) But it two layers of a light yellow tulle and a mesh fabric that has golden sparkles on it.
Here are more photos of the fabrics
– Is my point of inquiry clear? What am I actually trying to do?
I believe my point of inquiry is clear. I am trying to create an outfit of empowerment as it relates to the history of powerful women which allows me to make something that is delicate and powerful.
– Is my idea strong?
I believe I have a good concept and with further research, it will be stronger and more elaborate.
– Is my inquiry in-depth enough to build and sustain a whole project around?
Yes because there is much to look into throughout history for examples such as wardrobe of witches, queens and female leaders in order to look at the similarities and meanings behind their clothing.
– Am I challenging myself? Or, am I playing it safe?
I am definitely challenging myself with this project. I am using all new materials and techniques on a project that is very time consuming and requires a lot of expertise.
– Am I able to accomplish what I intend within the rest of the semester?
I believe if I stick close to my timeline I should be able to accomplish this project although I understand that with every project there are unexpected issues that will arise and I really believe I will encounter a few along the way.
– Is the studio work I am planning on making distinctly tied to my research? How is my research for Seminar fueling my studio inquiry?
Yes, the two are related although my studio is a bit more personal. My seminar project allows for further research into the history of women and their clothing.
– What is the connection between my proposal and Visual Culture?
My proposal goes hand in hand with visual culture for example in fashion, politics, and all of female history.
– Why is my project important/relevant?
This is important because it is something I have been wanting to do this for a long time. This will teach me how to use new materials and technique as well as planning for a large project. It is relevant because this topic of the public shaming of women has been repeated throughout history and not acknowledged often enough.
– What materials am I using? Have I used them before? Is it possible to learn new techniques effectively in time to complete the project?
I am using all new materials for me: tulle, satin, buttons, gauntlets, ribbon. I believe that I will be learning with every step of this project but I believe I am giving myself time and have done lots of research so I will be prepared and able to complete it in time.
– Am I excited about my project?
Yes, I am very excited and inspired by this project but I am also very nervous that I won’t be able to accomplish it in time.
