Final proposal for Seminar
Updates/Additional Works Doesn’t Appear in Proposal
Over the past week, I focused on refining the design of the initial skeleton. I worked diligently to establish robust connections between the bones and ensure that the delicate components can be cleanly cut out. Additionally, I dedicated time to developing new patterns and compositions.
In the pursuit of materials, I ventured to Canal Street’s various shops and conducted tests with several acrylic materials as an alternative to wood. Regrettably, the results were less satisfying than anticipated. Consequently, I made the decision to stick with wood for the majority of the skeleton structures, while reserving acrylic and other materials such as fabric and plastics for decorative purposes atop the wooden skeletons.
Regarding the laser cutting process, I followed our in-class discussions and acquired sandpaper and a sharp X-Acto knife from Blick, both of which served their purpose adequately. I also attempted to re-cut the pattern using the laser cutter, but unfortunately, the burning caused some loss of detail in the delicate bone structure.
Documentation of all sketches, maquettes, material studies
- Presentation form consideration
My initial project concept revolved around creating a pop-up book that would illustrate the intricate relationship between humans, modern technology, and the environment. However, I had to set this idea aside due to material constraints. The materials I had in mind, such as silicone and plastics, exceeded the maximum weight limit for each page of the book, making it impossible to fold them neatly within the book’s structure.
Subsequently, I explored a second idea involving a paper puppet to convey the threats posed to marine life by nuclear pollution. Unfortunately, the paper puppet proved somewhat delicate, and the stop-motion animation required extensive character design and background composition to effectively tell the story. Given the limited time frame available, it began to resemble an unfinished experimental animation.
Nonetheless, this experience did spark inspiration. I made the decision to set aside the main character and opt for a diorama or an installation instead. This format allows me to create an environment that encourages deeper contemplation, with the audience taking on an active role, akin to that of a puppet in the narrative.
2. Materials brain storm
Since I thoroughly enjoyed working with clay, my initial instinct was to use foil as the base and layer it with clay to create a miniature scene. However, my initial trials resulted in clay forms that did not meet the level of precision I was aiming for. Consequently, I began exploring alternative materials, including plastics and fabrics. The challenge with these materials is that they require advanced sewing skills to achieve recognizable shapes, and I found that they didn’t quite align with the thematic message I wanted to convey.
The decision to switch to laser cutting was prompted by an encounter with a precisely cut and constructed rooftop structure I observed during an urban project.
