Seminar: Reflection Two

Do you see any themes emerging across your work?

Looking back at my work between Studio and Seminar, my best pieces of work emerged from ideas in which I wanted to create an experience for the viewer or the reader, and I was at my best when I was really able to focus in on creating a space geared toward making the audience feel a certain emotion. When I revised my work, it helped to imagine myself in the reader’s shoes and build up an experience around what I wanted to feel. For example, my wall text for my memorial strongly improved when I peeled away the informational layers of writing, the purely descriptive sentences, and replaced them with phrases that brought an image into my mind. This was especially important to my memorial which was such an immersive piece conceptually. I often produced uncomfortable writing when I felt I needed to fill my voice in with information, in an almost factual way, and I was almost always better off when my work tried to evoke a certain emotion, such as nostalgia.

 

 

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About Me: I see myself as an experimenter by nature. My first approach to a new material or a prompt or a new product usually is to tinker with it and figure out how it works. I like to know the mechanics of what I’m working with, inside and out. Visual art isn’t enough. I value tactical products with performing intent, products that complete certain functions. When I start on a shoe design or a graphic or a product, my motivation comes from an improvement that I can visualize before I pick up a pen. While my works are generally vague as I’m still originating my style in my first year, my ideas are sparked by something I see and I know I can make it better. Indifferent of the obstacle, my approach is consistent: Tweak it and fail until a pattern develops. Find the root of the problem and attack it.

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