My Immediate Experience Project will center around a walk in Astor Place. From my original outline, my concept has changed entirely and now focuses on a futuristic female character from the upper class in an even more dense New York City. Through narration clips, on-location and possibly offsite videos, she will show the viewer around the Astor Place Square.
Augmented Reality Project
Project Objective
Create an Immediate (non-mediated) experience
What would happen if, on top of an immediate experience, you were to layer a mediated one that might refer to the past, the present or the future; the immediate vicinity or a distant location?
How do I want change the subject’s experience?
create feeling of being watched
make subject rush through walk
enhance subject’s awareness of surroundings
make subject interact differently with the location
alter subject’s perception of their experience
Location
Cooper Square and Astor Place Square
walk between E 6th and E 9th Streets on Cooper Square
Why?
I’m drawn to the area’s modern architecture the different feel the area has from the rest of New York. By using the nighttime lighting and the futuristic feel of the Cooper Union Square, I want to make the subject feel they’re in a different time.
Characteristics
Cooper Union’s New Academic Building
modern architecture could help create a futuristic feel for the walk
New Office Building at 9th St and 4th Ave
blue lighting and public benches on 3rd Ave and Astor Place St
770 Broadway Lobby
building lobby glows a warm yellow, contrasting the blue lights at Astor Place Sq
Plan
Establish Character/Guide:
narration audio
video of actor at site
Location Images:
video footage
surveillance camera-style footage
altered pictures of location with existing buildings and futuristic style buildings
Sound Effects
atmospheric noises (ambient sounds, suspenseful effect sounds, rain, thunder)
futuristic noises (vehicle sounds, beeps, whirrs, electronic beeping)
Project Objective:
Visualize time and movement through a transitional space.
transitional space: a space connecting two other spaces or places passed through to get from one place to another
I began the transitional space project by searching for a space that showed as many transitions as possible. The first space I considered was a busy subway station stairwell at a public park between Chinatown and SoHo. My goal was to show the contrasts between culture and economic status between the two neighborhoods and the differences between the relaxed people in the park and the busy subway commuters. After several attempts at photographing this location resulted in cluttered, busy pictures, I realized I was trying to include too much information in one photograph. I reconsidered and tried to photograph the project at the Astor Place subway stairwell. Its aesthetically pleasing awning and interesting surroundings attracted me.
My goal here was to show the stairwell, the subway platform, and the ground level above. I tried to capture my image three different times before deciding the area was too small and cramped to allow me the right point of view to capture the image. Finally, I discovered that the Union Square SW Stairwell was the right mix of aesthetically pleasing and practical design that allowed me the right perspective for the project. At the top of the stairwell, you can see the park above, the area below, and the stairs that connect the two spaces. The gate around the stairwell neatly separated the above and below ground levels and there was a place for me to stand and capture my transitional space and the spaces between which it transitioned. Overall, it was an easier place to clearly capture the objectives of the project.
Photographing the Union Square station stairwell was a prolonged process of trial and error. I wanted my picture to capture the streams of people ascending and descending the stairs. During my first two attempts, I stood on ground level and held my camera above my head. This produced off-angle pictures that didn’t compliment the symmetrical structure of the stairwell. On my third attempt, I decided on a shutter speed that showed enough movement of people without losing their form entirely. I climbed on a chair, which a friendly Union Square chess player kindly lent me, to have a steady hand to capture from a higher perspective. What I learned was that my process takes time, experimentation, and thoughtful planning. It takes me a long time to achieve the picture I want and I often become frustrated that I cannot get the picture I imagine. I must clearly understand what I want in a photograph and make sure that I have all the elements required to convey my vision.
Multiple Images
The second part of our transitional space project involved conveying a sense of time and motion through the juxtaposition of multiple images taken at the same space. This was another lengthy process with multiple revisions. At first, I planned to make a comic book style picture series that showed the action of moving between the park and the subway turnstiles. My first plan involved photographing two friends in a photojournalistic narrative style during rush hour. Dealing with the large crowds while trying to capture my narrative was incredibly frustrating. I tried again with another friend, this time trying to shoot for a graphic layout that showed my friend’s path up and down the stairs. My friend’s progress would be portrayed along points of an arrow, with varying picture sizes forming the shape of the arrow. I also tried to show the process of tuning out the outside world by donning headphones and sunglasses. The resulting layout, despite its order and symmetry, was too cluttered and had too many objectives to clearly convey the main transition. My final layout didn’t focus on a single person and showed people along their path down the stairs. I wanted to simplify my design graphically while showing the sequence of passing through the transitional space to the subway turnstile. The revision simplified my vision too much and lost the comic book feeling of stylized movement I desired. I learned that I must prioritize my design choices and decide how to effectively achieve them to make my projects creatively stimulating for me.
We are creating life-size reproductions of our head in Space/Materiality class and it’s getting very interesting. Still not sure what I will be making out of my model but I have an idea this project is going to be the most elaborate and fun “selfie” I’ve ever done.
The old Five Points neighborhood in lower Manhattan was ranked among the worst slums in the world due to its population density, diseases, infant and child mortality, unemployment, and prostitution. At the intersection of Worth and Baxter Streets was the “Five Points” neighborhood, named after the former intersection of Cross, Orange, and Anthony Streets. At this intersection stood the Old Brewery tenement house (existing from 1837-1853), where its low rent attracted low income immigrant dwellers. The Old Brewery quickly became an overcrowded, disease and crime ridden building in the Five Points slum. The destitution at the Old Brewery pushed community leaders to take action on the squalor throughout the Five Points neighborhood. The tenement house was demolished in 1853, the remainder of the slum torn down in 1897 and turned into Mullberry Park in 1897 then renamed Columbus Park in 1911. In the 1930’s, the Civic Center of Manhattan was developed in the area. A few tenement buildings on the east side of Mulberry Street dating from 1800s are the only buildings still exist from the Five Points era, including 48-50 Mulberry Street (this building shown on the postcard made for this project) Chinatown and Little Italy now surround Columbus Park, where the former slum once stood.
History of the Old Brewery
Coulthard’s Brewery (built in 1792) was converted into the Old Brewery tenement house during Panic of 1837, a major recession. The Old Brewery’s low rent attracted low income immigrant tenants. It quickly became an overcrowded, disease and crime ridden building in the Five Points slum. Five Points’ was among one of the worst slums in the world due to the sheer population density, disease, infant and child mortality, unemployment, and prostitution. It is alleged to have sustained the highest murder rate of any slum in the world. The terrible conditions exhibited at the Old Brewery pushed community leaders to take action on the widespread destitution throughout the Five Points neighborhood. The Old Brewery was purchased in 1852 by the Methodist Ladies of the Mission and was demolished in December 1853. A new building called the New Mission House at the Five Points was erected.
Sketchbook
Postcard
Cinematic Self Portrait Test
Cinema inspires me and doing a simple self portrait test was very intriguing for me to do. I discovered Cinestill 800T film on B&H, it’s re-spooled Kodak Vision 3 500T 5219 motion picture tungsten film. The colors are vibrant and grain is gorgeous.
As soon as my film camera is shipped up to me, I’ll be shooting more.
Canon AE-1
Cinestill 800T Film
50/1.4
Processing:
Baboo Imaging
212.727.2727
37 W 20th Street
New York, NY 10011
