MoMa Paintings

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NUMBER 17 (1963)

Painting by Wojciech Fangor

The way the artist has blended the colors from cool to warm creates an illusion of depth.

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THE DUEL (1963)

Painting by Julian Stanczak

The artist has successfully given the illusion of deep and shallow layers with simple lines running along different paths.

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DAY AND NIGHT: HOMAGE TO THE SQUARE  (1963)

Paintings by Josef Albers

Depth can be seen in the paintings due to the use of several squares placed on top of each other and aligned to one side. The use of colors in a certain way is also contributing towards creating that space.

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Painting by Ludwig Miles van der Rohe

(PROJECT 1960-63)

The architect has created space with the help of perspective drawing. The colors and shapes used also seem to add value to the space.

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PIN UP (1961)

Richard Hamilton

Artist has brought depth into the painting with use of colors. The breasts appear both in drawing and in three-dimensional relief which adds to creating the pictorial space.

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SHOOTING PAINTING AMERICAN EMBASSY 1961

by Niki de Saint Phalle

Use of different 3D objects and ceramics creates space in the painting.

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AMERICAN PEOPLE SERIES No.20 (1967)

By Faith Ringgold

Artist creates depth with the use of shapes and color. The composition of the painting also adds to the depth (the way the figures have been overlapped ).

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PAINTING,4 (1962)

By Vasudeo S. Gaitonde

the illusion of distance has been created with the use of colors, the way the blue has been used in the center versus the brown and beige on the ends.

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STARRY NIGHT (1889)

By Vincent Van Gogh

Space is being created by the use of color, shapes and different forms. Perspective in which the landscape has been made is also creating the illusion of space.

 

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CANYON (1959)

by Robert Rauschenberg

Colors and shapes in the background and the way the bird has been placed creates space.

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APPLE STILL LIFE (1895-98)

by Paul Cézanne

Perspective and the use of light and dark shadows is creating the illusion of space. Color and shapes also play a role.

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