Assignment #1 : Journal of Klaus Nomi
I am an alien.
Landed in on this earth in January 24, 1944 in Immenstadt, Bavaria, Germany, I was named Klaus Sperber and moved to berlin to attend a music conservatory when I became a teenager. While working as an usher at the Deutsche Oper in West Berlin, I gave impromptu concerts; I sang for other ushers and maintenance crew after the performances on stage in front of the fire curtain while sweeping. From time to time, I belted opera arias at the Berlin gay discothèque Kleist Casino but my identity did not seem to be welcomed in Berlin oper community. When I turned 28, in 1972, I crash-landed in New York and there I learnt to sing while doing bits of off-Broadway theater work and moonlighting as a pastry chef. New york’s burgeoning scene mixed perfectly with my existing sound and my main stage for art was in the East Village. As I started to perform for Irving Plaza’s New Wave Vadevillle in 1978 I came to attention. Morphed into Nomi, I wore my skin-tight spacesuit with clear plastic cape and sang the aria “My heart opens to your voice” from opera Samson et Dalila. Chaotic crash of strobe lights, smoke bombs, and loud electronic sound effects filled the stage as I walked back into smoke, and people went wild.
At the New Wave Vaudeville show I met Kristian Hoffman, who became a good friend and a musical director of mine. He helped me forming a band, choose my pop covers, including the Lou Christie song “Lightnin’ Strikes.” and also wrote several pop songs. These songs were “The Nomi Song”, “Total Eclipse”, “After The Fall”, and “Simple Man”, the title song of my second RCA French LP. Including several performances at Max’s Kansas City, Danceyeria and Hurrah, Manhattan clubs became our bands stage but disagreement with management led me to dissolute the band and continued on my own.
Life during late 1970’s at Club 57 was with full of fun, I assembled a group of models, singers, artists, and musicians to perform live with me. I could feel that Joey Arias, Jean-Michel Basquiat, Keith Haring, John Sex and Kenny Scharf all came another planet like me, but we could communicate with music and performances.
One day, a guy named David Bowie called me. He said he heard about me, and soon we and Joey Arias met at the Mudd Club. Bowie wanted me and Joey to perform with him for his appearance at Saturday Night Live show and he hired us as performers and backup singers. On December 15, 1979, the show changed my life aired. I always loved to dress myself with the suits I used to wear back in my planet; they were usually monochromatic, from black leather jacket, black jeans to black spandex. My black and slickered back, widow-peaked hair and black shadow matched my look and I wore black lips so that people could see my lips and what I am doing with it.
However, I saw what Bowie wore during “The Man Who Sold the World”. I was enamored with plastic giant-tuxedo suit he wore that I could not help but commission one to be made for me, and later, it became my signature look. This show did not only give me a perfect suit but also allowed me to score a record deal and release two albums, Klaus Nomi in 1981 and Simple Man on 1982.
All my song included dramatic multiples shift in octave and I could handle both extreme highs and lows effortlessly. With each changing note, I jerked my hands into karate shops and widened my eyes every time I moved into higher octaves.I also loved covering favored pop hits into avant-garde productions and these songs included Lou Christie’s “Lightnin’ Strikes” and Chubby Checker’s “The Twist”
Towards the end of my career, I explored deeper into opera, which was my aspiration ever since I was in Germany. I even switched my attire to more theatrical way, however, this was not the only reason why I wore them. By the end of 1982, my body was covered with lesion; I was deteriorating due to AIRDS. On the stage, I wore baroque-style collar to hid the sores on my neck but my frail legs and tiny legs told myself that my end was near. I knew that I would be the first public figure to die of this disease, but this could not stop me from performing on the stage. In early 1983, I gave performance of my life “Cold Genius” from Henry Purcell’s King Arthur at a European mini-tour. After six month on August 6, 1983, with age of 39, my soul went back to the planet I came from for good but my body scattered into ashes over New York City.
Yayınlanma tarihi: 30 Ocak 2017 Yazan: kangj063 İle: 0 Yorumlar metin2 pvp serverler
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