Louis Khan’s understanding of light comes from his background of Greek architecture “Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.” This quote is a perfect example of how an architects exterior creates the rhythm of light that creates the atmosphere and light of the interior even in the simplest of form of columns and the reputation of light and no light.
As an architect it is important to learn how natural light can be used as an element of design. One of the most successful artist who accomplished this and who many of architects of today still reference in their work is Louis Khan. His museum which is located in Fort Worth, Texas has always been used as one of the greatest examples of how natural light is incorporated with concrete and other natural materials in their natural form in modern architecture. Before analyzing his buildings it is also important to note that Khan regarded light as the “giver of all presences” and that for khan the importance of a material is its interaction of with light.
The kimball museum’s distinctly shaped cycloid vaults are surrounded by narrow plexus glass skylight which restricts direct sunlight but allowing some natural light to penetrate through. His approach to light and creating warmth through concrete was unheard of, Khan challenged the way the material was naturally used in the industry. To diffuse the harsh light in the museum the light illuminated through the concrete with the use of aluminum reflectors providing a subtle but comfortable lighting experience that beautifully lights the artwork. The building’s location further enhances the lighting experience as the building is surrounded by three courtyards, allowing more light and airflow and it creates a relationship between the exterior and the interior.
