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POLYHEDRON PROJECT

At the beginning of this project I found it very hard to get to grips with as each time a came up with a new design idea, it seemed that it wouldn’t work . When I finally came up with a design idea that would work I was already half way through the assigned time for this project. Therefore I had to get my materials together quickly. The original materials I bought from Canal plastics didn’t work well for my piece as the plastic was too thick to cut and I needed something thinner. With the help of my professor Sunhee Kim I decided on materials that would work better for my Piece. I used thin black plastic poles to create the shape of a triangle (which I managed to break down into smaller pieces using a manual saw). To attach these pieces together I used red plastic tubing. Then I cut of smaller triangles out of think clear plastic. To attach this to the larger triangles I came up with a technique of using thin pieces of metal which curved around the poles and then I attached it to the plastic using black paper brads. This part was the most time consuming, as to attach the metal to the plastic I had to create a hole in both pieces using an awl and a hammer. Before I had the idea of the awl and hammer I originally tried using pushpins to create a hole through both of the pieces, but the metal was too thick and strong to do that, which is why the awl and hammer was a great solution for that.

This is my final board demonstrating the development and process which I took in this project

I am an English multidisciplinary artist raised in London and refined in New York. I am constantly inspired by urban life and youth culture. The curious, enigmatic and often provocative elements of both urban life and youth culture help to fuel my work. In a sense the two are ever changing, innovating and growing, something I can relate to with my creative practise. I often pursue my projects down a political route and equality based themes, raising eyebrows and having people question themselves where I can. To Quote Banksy “Art should comfort the disturbed and disturb the comfortable”. Perhaps due to my English upbringing where sarcasm and self depreciation is a first language and my straight to the point nature has enabled me to dig deep into problems of our culture. Much of my work is in the form of social commentary. Including issues of racism, sexism, mental health and feminism. “Any form of art is a form of power; it has impact, it can affect change - it can not only move us, it makes us move” - Ossie Davis Being an Integrated design major has allowed me to explore many pathways as well as hone in on my strengths as an artists. The mediums in which I steadily shift between and frequently combine are fashion design, photography, styling, graphic design, documentary film and art. I like to go back to the routes of my practices wether it be working by hand or using analogue cameras in stead of digital as it installs me with a sense of fulfilment and an appreciation for the past. Though this may be my mantra I do not allow it to limit me. For example digital experimentation, most notably my mixed media work. In my process I am much of a documentarian as I like to see things through from beginning to the end, allowing myself to be at either ends of a garment or accessory’s timeline . In my photography and styling practices and I a keen collaborator and relish in any opportunity to work with a fellow artist or designer. Having Grown up in two of the fashion capitals of the world my senses have been heightened to sustainability and ethical practise with in the fashion and arts world. The pressures of being a Gen Z artist and designer having to fix the mistakes of those before us, creates non stop challenges. But what is art, if you're not challenged by it?

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