Time: Composition. Instructor John Roach
Sure there are expensive pieces of software for making noise, but there are plenty of things you can find that’ll cost you nothing (or next to nothing). This is a link to John’s sound resource site.
Credit Sequences in films are often a place where designers showcase some imaginative typography.
16 mm film shot by Peter Moore with a high-speed camera at 2000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect
I think it was in the time of spring 2012, when I came across David Shiyang Liu’s lovely piece of work about Ira Glass. It was the most inspiring and motivating video I had ever seen in my life. I watched it over and over again, listened to Ira Glass’ voice, and told myself, that I am not the only person who is constantly disappointed about the gap between one’s taste and one’s skills. Later in 2012, I decided to do my own filmed version of Ira’s interview – using my own language to tell his message. It took me about a year from concept to upload.
Increasingly sophisticated virtual reality can reward almost every sense, creating a fiction that the brain believes is authentic. Stevyn Colgan explores the addictive possibilities of this sensory immersion, from calorie-free eating to victimless crimes.
Due to the good public transportation in the Netherlands distance has become irrelevant. We can reach almost any destination by train easily and relatively quick. In our busy lives we now think in time rather than distance. Therefore the current maps, as we know them today, are obsolete.
A documentary film set entirely in a cable-car line in Nepal that allows us to just sit and observe and listen.
Originally a sculptor, Sam Taylor-Johnson began working in photography, film, and video in the early 1990s. The split between being and appearance in situations where the line between interior and external sense of self is in conflict – has always been in the centre of her creative work.
There are about 7,000 languages spoken around the world — and they all have different sounds, vocabularies and structures. But do they shape the way we think?
This hour, Radiolab goes to the front lines with men and women who are battling against time — or at least the common-sense view of time.
The basic idea of the project is built upon the consideration of creating a moving sculpture from the recorded motion data of a real person. For our work we asked a dancer to visualize a musical piece (Kreukeltape by Machinenfabriek) as closely as possible by movements of her body.
(note: sound very briefly cuts out around 10:51) Dr. David Eagleman, neuroscientist, best-selling author, who holds joint appointments in the Departments of Neuroscience and Psychiatry at Baylor College of Medicine discusses how we perceive time in relation to falling
A work by painter, sculptor, designer and choreographer Oskar Schlemmer that is an unlikely collision of dance and geometry.
When you walk along the beautiful alster lake, you notice the unique skyline of the city of hamburg, reflected on the water.
This reflection gives shape to a soundwave….
Oskar Wilhelm Fischinger was a German-American abstract animator, filmmaker, and painter, notable for creating abstract musical animation many decades before the appearance of computer graphics and music videos
A song of White wanderlust for Africa has become a literal monument to the staying power of Internet memes thanks to artist Max Siedentopf, who recently traveled deep into the Namib desert to erect “Toto Forever”
How to export your mulitrack Adobe Audition file as a WAV (uncompressed) or MP3 (Compressed)
Here is an evolving “HOW TO” guide for using the sound editing tool Adobe Audition
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