Artist/Designer Statement

What When Where Why Wear

 

I’m not really talking about the what, when, where, why and how.  What I’m really talking about is the philosophy behind my work.  When I look through a piece of garment, I ponder these questions and realize the piece of garment is not just a piece of garment anymore.  What am I looking at?  I am looking at the fabric, fiber, materials, labor, distribution channels, ideas, technique, construction, traditions (although it is not a traditional dress, every clothing has been influenced by traditions), history rather than just a piece of garment.  Additionally, it contains the special characteristics and/or stories associated with the owner of the garment.  The when and where are following my thoughts.  When was it made or where was it worn by a person or vice versa.  A dress is a product of a long and complicated process continuing from antiquity to the immediate present.  Not only have human beings evolved but also dresses.  Dresses have evolved as a result of lifestyle changes, historical incidents and environmental changes.  Why do we dress then?  The Polish Anthropologist Bronislaw Malinowski answered this question.  People dress for protection, modesty and decoration.  I would like to add one more reason.  We dress, and we remember who we are.  Although Malinowski’s view was protection from outside physical dangers, I believe that a dress protects one’s root and identity.  We wear, and we protect ourselves and communicate with others.  I love fashion no matter what; but I have reasons why I love fashion.  It is because a dress is a very significant component for us.  I hope more people admit that clothing is not “just” clothing.  It is comprehensive intermediation rather than just utilitarian.  When it becomes a fashion, it represents time and space we live in.  The complicated relationship between time, space, people and fashion inspire and compel me to design.  I like Da Vinci because he had accurate eyes and I like Picasso because he was able to see things differently.  When a dress was made it requires accurate eyes and unique vision.  Therefore, I love to use a tailoring technique, creative construction, or deconstruction on my design.  I aspire for my beliefs to be expressed in my design and deliver the meanings to people throughout beautiful clothing.

 

 

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