Tag: sound and site

Steel-Fonics – Ricardo Iammuri Robinson

The STEEL-FONICS attempts to shed light on a hidden contribution to Pittsburgh’s industrial past. In this culture, African Americans are typecast dancing, singing or marching against a backdrop of poverty, crime or packed arenas in order to be recognized.  This installation employs the power of stereotype and reimagines a creative collective of black industrial steel workers called The STEEL-FONICS.  The African American contribution to the enormous expansion of the American steel industry has been all but invisible.  This exhibition is a new kind of labor strike against historical omission….Continue Reading Steel-Fonics – Ricardo Iammuri Robinson

Art installation recreates how our environment might sound to people with Alzheimer’s Disease

The global engineering firm Arup and BLOXAS Architects collaborated on a soundscape installation to demonstrate what our everyday environment might sound like to a dementia sufferer….Continue Reading Art installation recreates how our environment might sound to people with Alzheimer’s Disease

Annea Lockwood – Sound Map of the Hudson River

An aural journey from the source of the river, in the high peak area of the Adirondacks, downstream to the Lower Bay and the Atlantic Ocean; Lockwood traces the course of the Hudson through on-site recordings of its flow at 15 separate locations. Annea Lockwood has recorded rivers in many countries to explore the special state of mind and body which the sounds of moving water create when one listens intently to the complex mesh of rhythms and pitches. The listener will find that each stretch of the Hudson has its own sonic texture, formed by the terrain, varying according to the weather, the season and downstream, the human environment whose sounds are intimately woven into the river’s sounds. 71 minutes 33 seconds…Continue Reading Annea Lockwood – Sound Map of the Hudson River

Anke Eckardt’s GROUND

The ground is in motion. GROUND acts as a LOOKING GLASS, as an AMPLIFIER for what we normally can´t perceive – tectonic plates are continously shifting … the permutations of landscapes constitute an infinite process of becoming… geosphere is a complex system that interferes with biosphere but also with anthroposphere, that part of the environment, that is made and modified by humans.

GROUND is moved by immense mechanical forces. The motion can be felt, heard and seen. Rough sounds are mechanically produced through friction between the concrete elements … visitors might experience the loss of their visual reference points, it becomes unclear what is still and what isn´t… there is an afterglow of a moving ground in the visitors physical memory after leaving the installation. …Continue Reading Anke Eckardt’s GROUND

Audible Spaces: Exhibition explores physicality of sound

Audible Spaces presents three sound installations that encourage participants to explore the subtleties of listening. Tristan Perich, Zarouhie Abdalian, and [The User] have each created immersive environments using seemingly uniform sounds that dissolve into tonal, tactile, and temporal variations as participants engage with them….Continue Reading Audible Spaces: Exhibition explores physicality of sound

Marco Fusinato – Constellations

A 40-metre wall with a 1.5-metre gap at each end is built to bisect the gallery. Hidden
inside the wall are a series of microphones connected to a PA system. The entrance side of the gallery is empty. On the other side of the gallery, coming out from the bisecting wall a baseball bat is attached to a steel chain. The audience is invited to strike the wall. Their action is amplified at 120db….Continue Reading Marco Fusinato – Constellations

Doug Aitken – Sonic Pavillion

The idea behind Sonic Pavilion (2009) was this: boring of a 200-meter-deep well in the ground in order to install a set of microphones to capture the sound of the earth. By way of a sophisticated system of equalization and amplification, this sound is played in real time inside the empty circular pavilion, which was designed to create equivalence between the audio experience and one’s relation to the surrounding space….Continue Reading Doug Aitken – Sonic Pavillion

Janet Cardiff – Her Long Black Hair

Her Long Black Hair is a 35-minute journey that begins at Central Park South and transforms an everyday stroll in the park into an absorbing psychological and physical experience. Cardiff takes each listener on a winding journey through Central Park’s 19th-century pathways, retracing the footsteps of an enigmatic dark-haired woman….Continue Reading Janet Cardiff – Her Long Black Hair

Vertical Studies – Espen Sommer Eide and Signe Lidén

“For Vertical Studies, they (Espen Sommer Eide and Signe Lidén) reimagined the beautiful water tower in the Dutch settlement Sint Jansklooster into a vertical field-lab, where Eide and Lidén are introducing their ongoing investigations into connections between sound, history, wind and weather. For this, they use several specially constructed instruments, created for the recording and…Continue Reading Vertical Studies – Espen Sommer Eide and Signe Lidén

Visualizations of Reverberation – Toward the Circle

“Toward the Circle” is silent short film created by Zackery Belangerduring a research residency at the Experimental Media and Performing Arts Center (EMPAC) in Troy, NY. It presents a sequence of enclosures, each with a simulated burst of sound energy, that hints at an important relationship between sound and architecture….Continue Reading Visualizations of Reverberation – Toward the Circle

Circumstance – distributed sounds and subtlemobs

Circumstance was established in 2010 as a framework for the collaborations of Duncan Speakman, Sarah Anderson and Emilie Grenier. From 2010 – 2016 we made intimate in-ear stories, subtlemobs, pedestrian symphonies, science fiction theatre , music, and books that go beyond the page.” A Folded Path The performance consists of 30 individual GPS controlled speakers. Each…Continue Reading Circumstance – distributed sounds and subtlemobs

Sound All Around: The Continuing Evolution of 3D Audio

Close your eyes and think about the last time you were at a gig. How did it sound? The band is rocking out on stage, your friends are talking in a group over to your left, a busboy says “excuse me” as he slides past your right shoulder, and the din of the crowd is…Continue Reading Sound All Around: The Continuing Evolution of 3D Audio

99% Invisible – 236- Reverb

Through a combination of passive and active acoustics, architects and acousticians can control the sounds of spaces to fit any kind of need. With sound-proofing and selective-amplification, we can add reverb or take it away. We can make churches sound like clubs and clubs sound like opera houses. This degree of acoustic control, however, is…Continue Reading 99% Invisible – 236- Reverb

Julian Treasure: Why architects need to use their ears

Because of poor acoustics, students in classrooms miss 50 percent of what their teachers say and patients in hospitals have trouble sleeping because they continually feel stressed. Julian Treasure sounds a call to action for designers to pay attention to the “invisible architecture” of sound. This video is a good accompaniment to many other posts…Continue Reading Julian Treasure: Why architects need to use their ears

Korinsky – Volum in the Berliner Dom

from Everyday Listening: Korinsky is a Berlin-based art collective using technologies and the knowledge about human hearing processes to create sound installations that play with the contrast of visual and acoustic impressions. The thrilling and quite intimidating architecture of the cathedral church is the central space of the soundinstallation „Volum“ at the Berliner Dom. The…Continue Reading Korinsky – Volum in the Berliner Dom

Konrad Smolenski – Everything Was Forever, Until It Was No More

Polish Pavilion at the Biennale Arte 2013 The work at the Polish Pavilion is a sculptural instrument that reproduces, at regular intervals, a music piece written for bronze bells, wide-range loudspeakers, and other resonating objects. An active participant of both the independent music scene and the visual art scene for over a decade now, Konrad…Continue Reading Konrad Smolenski – Everything Was Forever, Until It Was No More

Doron Sadja “I Am Immensely In Touch With My Emotions And Music Is Magic To Me”

Using motorized swinging speakers, multichannel sound, and high intensity smoke and light projections, Sadja transforms this expansive industrial space into an architectural and alchemical sonic ecosystem. 8.1 Channel Sound Installation with motorized swinging speakers at the Fragmental Museum in Long Island City….Continue Reading Doron Sadja “I Am Immensely In Touch With My Emotions And Music Is Magic To Me”

Susan Hiller – Witness 2000

Witness 2000. Each speaker in the installation Witness 2000 transmits a voice telling a story. A wide variety of languages represent testimonies from all over the world. The witnesses describe the experience of an encounter with UFOs or creatures from other spheres. A range of similarities emerges in the descriptions and in the type of…Continue Reading Susan Hiller – Witness 2000

David Tudor – Rainforest IV

Here’s an example of tactile or surface transducers in action. David Tudor (1973) — Rainforest IV: collective performance The fourth version (1973) is the result of a collaborative work environment, mixing in space sounds live suspended sculptures and found objects, and transformed by an audio system reverberations. Here’s another version: From the Getty Research Institute:…Continue Reading David Tudor – Rainforest IV

Pierre Sauvageot’s Harmonic Fields

Sauvageot describes his creation as “a symphonic march for 1,000 aeolian instruments and moving audience”. It is not only a striking piece of land art, but a carefully constructed piece of music, with an integral balance of theme and structure. “It’s important that it is not just a circuit of weird noises,” Sauvageot says. “The…Continue Reading Pierre Sauvageot’s Harmonic Fields

Alvin Lucier – I am Sitting in a Room (1981)

The first recording of I am sitting in a room was made at the Electronic Music Studio at Brandeis University in 1969. This recording, from October 29 and 31, 1980, was created in the living room of Lucier’s home in Middletown, Connecticut. It consists of thirty-two generations of the composer’s speech and was made expressly for…Continue Reading Alvin Lucier – I am Sitting in a Room (1981)

Sway – Caitlin Morris

Sway is a space where sound and physical form meet. The environment reflects the palpable experience of listening to music, in which many small parts work together to create a larger whole. When visitors become immersed in the mass of translucent reeds that form the geometry of the room, the sound composition reacts at the…Continue Reading Sway – Caitlin Morris

In The Garden of Sonic Delights – videos

You Are the Sweet Spot by Stephen Vitiello & Bob Bielecki Listening Is as Listening Does by Suzanne Thorpe We Fall Like Light by Laurie Anderson & Bob Bielecki Catenary by Eli Keszler Wild Energy by Annea Lockwood & Bob Bielecki Sunken Gardens by Betsey Biggs Diacousticon by Stephan Moore The [Music] Room by Francisco…Continue Reading In The Garden of Sonic Delights – videos

Max Neuhaus – Times Square

From Gothamist: Visit The Eerie Circa-1970s Sound Installation In Times Square The late Max Neuhaus, a percussionist known for creating site-specific sound sculptures, created one of his best known pieces in Times Square in 1977, a sound installation that filters up through the subway grates on Broadway. According to Dia Art Foundation, the installation originally…Continue Reading Max Neuhaus – Times Square

Pandemonium – Janet Cardiff and George Burres Miller

A site specific sound installation at Pennsylvania’s Eastern State Penitentiary. The project draws from the locations complicated past and stories drawn from that history. from Janet Cardiff and George Burres Miller’s website: Tip tap tip tap. Is that the sound of dripping or is it someone in a cell tapping a code on the wall?…Continue Reading Pandemonium – Janet Cardiff and George Burres Miller

Digital Empathy

Digital Empathy greets High Line visitors with a variety of messages. At some sites, computer-generated voices speak messages of concern, support, and love, intermingled with pragmatic information. In other sites, those same digitized voices recite poetry and sing love songs to park visitors. http://art.thehighline.org/project/julianneswartz/…Continue Reading Digital Empathy

Hrafn: Conversations with Odin – Chris Watson and Iain Pate

Hrafn: Conversations with Odin is a sound installation that presents the remarkable and seldom-heard phenomenon of ravens gathering to roost. Set in Kielder Water & Forest Park in Northumberland, the audience will be led at twilight on a short walk into the deepest part of the forest. Along the way their guides share ancient raven…Continue Reading Hrafn: Conversations with Odin – Chris Watson and Iain Pate

Pressure Sequence – Dance and Sound – Stijn Demeulenaere

Pressure sequence is an exploration of movement, a question of presence, a reconnaissance of body language. Pressure Sequence started out as a question: Dancing is body language at its purest. But can you transform, translate this language? …Continue Reading Pressure Sequence – Dance and Sound – Stijn Demeulenaere