Intro to Fashion Studies: Reflection on the Dressing Practice Log

Check our my dressing practice log here: tianlan-dressing-log

Besides the 7 photos that I had provided in my Dressing Practice Log. There are another 2 photos from my closet where I dress myself everyday.

To conclude what I had chosen to wear for the past week, I noticed that I chose a lot of grey and navy garments for my mundane life. I like grey and navy as I have told in my intersectionality maps about my aesthetic subject position. And I have bought tons of grey or navy clothes since they are easy to match and are always the safe choices for most occasions. In other way to say, most of clothes in my closet are navy or grey, so I can only choose from them. It’s like what Susan Kaiser mentioned in her article that most of the time, people create their own “fashion statement” but are ultimately constrained by what is available in the marketplace (Kaiser, 2012: 31), to me, it’s that is available in my wardrobe.

But I was not defined by the color of navy or grey. I admit that, sometimes, they are boring and conservative colors, and when I wore them on the Wall street and compared myself with others, I felt uncomfortable of being underdressed by only just wearing basic sweaters and pants among all these perfect fit suites and sharp cut dresses. Our consciousness of dress is heightened when something is out of place when either our clothes do not fit, or they do not match the situation, for example, when we find ourselves dressed too casually at a formal situation or too formally at a casual situation (Enteistle, 2002: 133-134). So I mixed myself with red cute dress on weekends to liberate the spirit. Also, it can be explained as I was dressing up for the occasions. For instance, if I was going out with friends or go clubbing. I dressed for social purpose. It is as Enteistle had said that our dress does not belong to our bodies but to the social world as well. So all the factors entangled together to act my dressing behavior since self-other relations also emerge as entangled, rather than binary.

However, it’s inevitable to find that my whole week dressing documentations are lack of colors, since most of the time, I picked random things in my closet that were available for me since I was running out of time for school. Like Woodward concluded in her publications, that when women are dressing in a hurry, one of the most important factors in deciding what she wear is ease of access (Woodward, 2007: 44) which for me, the clothes in navy or grey.


Enteistle, Joanne, 2002, “The Dressed Body”, Real Bodies: a Sociological Introduction, New York: Palgrave.

Kaiser, Susan.B., 2012, “Intersectional, Transnational Fashion Subjects”, Fashion and Cultural Studies, New York: Bloomsbury.

Woodward, Sophie, 2007, “Hanging Out in the Home and the Bedroom”, Why Women Wear What They Wear, New York: Berg.

Sustainable System: Non Human Project

Check the Full Version of my Presentation: non-human-project

Design for non human is a process of thinking out of the box. Having designed and used humanly oriented products, we enjoyed our convenience. But have we actually think of the animals and plants that share the same planet with us?

I chose dogs as my observing targets for this projects for the simplest reason, I love dogs. And they live with us. We always have such kinship to human’s best friends and some stores and companies have started making designs for dogs. Living with dogs for over 10 years, I know what they love and what they hate. But I have never see this world in their perspectives. Though this project, I spent my afternoon at Washington Square Park with my friend’s dog, Yogurt. And ran around the park for half an hour. I will show you what I have found.
*5 times speed up for Yogurt’s perspective in Washington Square Park

I made this video from the dog’s perspective that I took over 2000 pictures at Yogurts height while running with him at the park. Documenting what he passed and what he stopped for. We ran into at least 30 dogs within 1 hour in the park by not including those friends hanging in the dog park. Most of the dogs were leashed and so did Yogurt.
So what if the Washington Square Park is a dog park? Every dog comes in unleashed and have their fun? Based on puppy’s preference, water and snacks are needed. So I designed the hydrant system that can be inserted in the part to both decorate and provide what they need.

So I designed the hydrant system that can be inserted in the park to both decorate and provide supplies. (see file 2) The hydrant is connected to underground water pipes to provide clean and cool water source. Streams of running water keep going out of the hydrant for animals in the park to drink, and snacks part are set to give 1 cookie out every 5 minute. Stones pile around the hydrant to keep the ground clean without muds or dirt. And in summer, dogs can lie on the stone is they get too hot. Also, gaps between stone allow water to come back to the earth. A solar panel can be added on the top of the hydrant to collect sun energy which is used to the sensor of the hydrant. The sensor can be activated with any object within 2 meters around the hydrant. And in this case, where there is no dog or animals around the hydrant, it can also save water and save dog cookies as well. The set of functionality remains the same as it was set if there are lot of dogs around the hydrant to prevent the overeating habits of puppies.

We seldom think in a non human perspective. When we do, we feel the huge difference of objectives, we feel guilty of not bringing convenience to our buddy, our neighbor who also live on this planet, and we start to care more ever after we stay with them.

Final Conceptual Illustration

Final Conceptual Illustration

Also, fun fact about birds in WSQ Park, hope you will like it:


Intro to Fashion Studies: Campaign and Gender – Dolce & Gabbana A/W 2015

Though Vanessa Friedman concluded Jaden Smith wearing women’s wear for Louis Vuitton saying that we are entering the age of wear what you like, clothing norms and traditions have held on to the mass consumers. In the A/W 2015 campaign, Dolce & Gabbana paid tribute to mothers with its signature theme. The ads feature not one or two, but several generations of couture-wearing models – from Grandparents to the newest born babies, entirely dedicated to celebrating motherhood and the love of family by depicting natural scenes at a family gathering. As Susan Kaiser concluded in her book, clothes are public signals about how to read individuals, the A/W 2015 Dolce & Gabbana displayed full skirts and cinched waists with abundant of lace and florals to emphasize the ultra- feminine shapes. And on the textile design, many garments were emblazoned with words in French or Italian “I love you, Mom!” or had children drawings printed on.

However, fashion ads never escapes the criticisms from feminists that advertisement dehumanizes and demeans women- turning them into sexualized objects and proffering unattainable images of beauty that most often, young, white, thin women’s bodies are represented and consumed in hegemonic cultural disclosure. And unfortunately, this campaign partially fits into the definition that were mentioned in Kaiser’s book. For what it worth appreciating, this campaign paid endorsement of women, stated the indispensable position of women in the family and the fashion, truly beautiful with detailed gender coded symbols but not sexually seductive or cheap.

Maybe critics may considers this a little traditional, the campaign is undeniably fun and cheerful. Surely most consumers would notice first and found their engagement to this modern family portrait full of love and unity.