Category Archives: Drawing/ Imaging

Drawing/ Imaging: Final Project: Signs and Symbols, the language of visual culture

To begin the assignment, we were required to read chapters from John Berger’s Ways of Seeing. After gaining inspiration on how what we perceive greatly impacts our appreciation of certain images, we set off to explore two different locations in New York.

I chose the locations around Allen Street and Centre Street – both familiar places since I’ve lived in New York all my life.

Some featured pictures:

Around Allen Street

 

Around Centre Street

 

 

At first, I planned on narrating a story with the pictures I had with two characters looking for each other. This was influenced by a conversation in Centre street where I overheard two people trying to find each other on the phone.

I scratched that idea and decided to focus on the oriental looking building in Centre Street, but then moved onto other ideas when I made mockups.

This was the oriental building idea I had. The building was also a bank so I was going to draw a ninja on top of the building.

This was a wonky merge of pictures I took in Allen Street. There’s a lot of hipster places in that area and, in contrast, some old apartments, an old laundromat, and an immigrant taxing place. Despite that contrast, I wanted to mix this hotpot of disparency because that made up Allen Street.

The idea I went with was based on one of the featured pictures I posted for Centre Street.

“We are our own protagonists of our stories. However, these stories overlap, creating bonds that’ll last for an eternity.”

In New York, many of us are in our little bubble and even I’m guilty of that. We’re all so unique and different and despite our differences, friendships are still possible.

In this picture, I drew fantasy characters in order to represent that idea of uniqueness. I wanted their color palettes to still share similarities because they aren’t opposing enemies, but a squad. I believe that unification can battle anything. Hurray for the power of friendship! 

Figure Drawing

I had done live nude model drawing before in high school, but I never explored the different techniques in drawing, such as using just lines to shape the figure or not outlining when drawing. That was the most challenging part for me – not drawing outlines that is. I just had to force myself to draw with shadows, which was still very difficult for me, but it was fun. Looking over the drawing in week 2 (for the longer drawings), I actually don’t dislike it! In fact, the many lines forming the figure are really pleasing and accomplishing to look at.  I think I improved a lot at the anatomical structure and using shadows to build the figure. I wish we also focused on individual body parts like feet, hands and the face.

Week 1

 

Week 2

 

Week 3

 

Week 4

 

 

Week 5

 

Week 6

      

https://drive.google.com/drive/folders/1s8Z4sJibQwYJ_0vazlYe-TZKZmoEkTn0?usp=sharing

Reconstructing Times Square

László Moholy-Nagy, Constructions, Kestner Portfolio 6, 1923 (Portfolio of six lithographs)

There was no background and the center of the drawing was just floating in this empty space, which was something I found pleasing to look at. In addition, the flat colors and multiple perspectives were interesting.

Louise Bourgeois, Topiary, 1997, Watercolor, ink, oil, charcoal and pencil on paper

I tried to replicate the concept of the further an object is the smaller they are drawn. I wanted the viewer to understand that and the perspective in my poster by making the dogs different sizes.

There’s not one picture that doesn’t have people in it, well except the picture of the tall building – that doesn’t count. I included that one just to represent all the tall buildings in Time Square, which pretty much all have advertisements on them. But yeah, what basically symbolizes Time Square is huge crowds of moving people, animated advertisements and tall buildings.

 

1 point perspective

1 point perspective – most of my pictures were one point perspective because of my vertically challenged phone, which I mean myself, but the third picture shows a bit of another perspective, 2 point perspective, on the first line.

At first, I tried doing a legitimate artchietectural imagined sketch, but I started doodling at the end and kind of all over the page.

So I decided to copy the pictures I took and studied those perspectives while not giving up on my doodle of people.

I ended up not doing an architectural drawing since that would be boring and drew shapes instead. My project in another class had to do with Illuminati and I was so influenced by that and made it my focal point of this project.

 

At first, I didn’t have any gradient in my line drawing, but I realized the trippy black coloring resembled stars so I went along with that and played with the coloring. My idea was that the triangular figure transformed into something, hence the opening of the eye and magenta-colored tear, and I wanted perspective to represent that. The side pointing inwards was just a single-color yellow because I didn’t want the picture to be too chaotic since I filled in the sides and front with a gradient.

https://drive.google.com/file/d/1iS5Cd8EaY3is2tMjdR-13Ouhtl6T-lfm/view?usp=sharing

After seeing you insert the cut-out of the bear into the drawing, I was inspired to put in my favorite things – puppers, I mean dogs, yes. I also wanted to fit into that vaporwave aesthetic, which is something like this:

I also included Japanese (translated from google, so it’s probably not entirely accurate – actually not at all), which is a huge element in vaporwave that there’s even music based on it:

From top to bottom, the first line says, “I am a happy dog.”, the second line says, “Will I be remembered?” (based off Gabe the dog – a huge internet sensation featured in this song https://www.youtube.com/watch?v=5dbG4wqN0rQ any many others) who passed away) and, lastly, the third line says, “I’m a fast puppy.”

So that concludes it! My project is a replication these elements and my favorite things. I don’t usually work in these things of posters and stuff, so it was really fun. By the way, the single happy body is me in the picture just having a good time :).

Pictoral Space in the MoMa

Louise Bourgeois, Self Portrait, 1990, drypoint, etching, and aquatint

The usage of line here makes the image very flat, however, the two sides of the heads and the curvy, wiggly line almost seem to suggest movement, contrary to the figure in the center facing directly at the viewer.

László Moholy-Nagy, Constructions, Kestner Portfolio 6, 1923 (Portfolio of six lithographs)

This lithograph is like a contradicting mixture of line elements and two-point perspective. Because of the flat images it contains, there’s an initial idea of it being 2D, but in reality, the intersecting shapes and different views of those shapes creates an image that is 3D and has more than one perspective.

Charles White, Black Pope (Sandwich Board Man) 1973, Oil wash on Board

The usage of White’s value here creates an incredible sense of depth and the overlapping shapes of the figure, the centerpiece and the frame within the painting adds to this effect.

 

Vasudeo S. Gaitonde, Painting 4, 1962, Oil on Canvas

This painting uses a multitude of colors mostly with a red, blue and yellow hue to create a murky tone, and then highlights the parts of the painting they want to stand out by using a darkish blue (?) and strikingly, vivid oranges and yellows.

 

Louise Bourgeois, Topiary, 1997, Watercolor, ink, oil, charcoal and pencil on paper

The red shapes placed on top of the white space and situated on the blue space gives the image a sense of depth and perspective as the tubes connected to it come forward to the larger red tube and into the blue container in the front of the image.

 

Max Ernst, Sun and Forest, 1931, Cut-and-pasted cardboard with oil, gouache, and pencil on paperboard

The intersection of shapes with the use of color (the intersection is indicated from the sun’s redness to a beige color) give the viewer an idea that the brown, vertical textured shape is in front of the sun.

 

René François Ghislain Magritte, The Menaced Assassin, 1927, Oil on canvas

The usage of color and the way objects and figures are situated in the painting with the contrasts of shadows give the image an intense depth. It looked as if the painting led to another room as I looked into it.

 

Max Ernst, To the Rendezvous of Friends (The Friends Become Flowers, Snakes, and Frogs) 1928, Oil on Canvas

The yellow background contrast to the reds, whites and darker foreground give the center shapes a spot in the space of the painting. It is insinuated that the shapes are closer to the view because of the yellow background.

 

Max Ernst, Napoleon in the Wilderness, 1941, Oil on Canvas

The red figures situated in the front are strongly contrasted by the blue background, giving the viewer an idea that these figures are closer.

Figure/Ground Assignments

My collage for the assignment that I didn’t use because the shapes were very geometric (and I didn’t have a well-made collage at the time). It’s not that geometric shapes aren’t good, but there’s more diversity with the picture I used:

Lived traced and took some individual shapes to trace with the pen tool.

Shapes being used before transformed. The two-line shapes is what I elongated and the other single thin stick is what I shortened. The rest was resized. Black on White

I was focused on building a ground and then building on the top of the ground. I want to say that black on white is easy, but it’s really not especially when you have limited shapes and rules to follow (using the same shapes throughout the Figure/Ground series). Becaucse of the stick on the top holding up an arc, I imagined this to be some sort of ship.
 White on Black

White on Black was relatively easy to understand, but you know what they say about putting theory on paper. My idea here was to wrap or surround the negative space to create a white figure and using the sticks it came out to look like the woods, but I should have left more room for the negative space to shine, instead I made a silhouette of a rabbit.

Ambiguous

So ambiguous is suppose to be unclear, and so I interpreted it for this Figure/Ground file to have two grounds and have the figures (little moomen) floating off. One of my shapes already has a gound and the big curved pieced (combined with other pieces) also seemed like a good starting point for ground.

Some troubles I encountered was mostly just creating a good composition with the limited shapes I had because I didn’t use the collage photo, instead I grabbed shapes from a drawing I did recently.