Two Postcommodity members, along with composer Guillermo Galindo, are partnering with members of a fast-gentrifying Santa Monica neighborhood to produce a sound-based artwork of contested histories.
Oliver Beer’s “Vessel Orchestra” includes 32 objects, ancient to modern, chosen for the sounds hidden within them.
In her visual and audio work, Jennie C. Jones revels in the affective power of silence and lack, staging encounters with forgotten histories and extra-visual phenomena through the bodies of her viewers.
In honor of May Day, Ultra-red release the PDF of our latest workbook for militant sound inquiry, “Five Protocols for Organized Listening” (5.8MB). The workbook compiles protocols for collective listening developed by multiple teams of investigators from 2009 to 2011 in cities across North America and Europe. “Five Protocols” is also accompanied by links to related sound objects on the School of Echoes Soundcloud page. Please feel free to download and distribute. We only ask that you send us feedback on your experiments with organized listening and militant sound investigation.
Hong-Kai Wang is an artist who works mainly with sound. Her practice includes processes involved in the production and performance of sound as well as their political and social contexts, and, not least, the organisation of listening. In several of her pieces she has employed collective processes, discussions and workshops.
John Oswald’s piece de resistance. Twenty minutes of some of the most insane editing, cross-fading, beat matching, cultural name dropping and sampling. No other work even comes close to the intensity of Plexure. John Oswald proves he is a virtuoso of Pro Tools, over a thousand different artists edited, spliced and mixed together.
An engaging sound collage presenting an unique historical documentation of Sound Art from the early 20th century to present day. The composition weaves through different sound works throughout the century with narratives and ideas from some of the prominent artists in the field.
Protest sounds recorded from the 8th floor of 2 west 13th street
For those of us who have trouble staying in tune when we sing, Deutsch has some exciting news. The problem might not be your ears, but your language. She tells us about tone languages, such as Mandarin and Vietnamese, which rely on pitch to convey the meaning of a word. Turns out speakers of tone languages are exponentially more inclined to have absolute (AKA ‘perfect’) pitch. And, nope, English isn’t one of them.